Art Thompson
Art Thompson is senior editor of Guitar Player magazine and he has authored stories with numerous guitar greats, including B.B. King, Bonnie Raitt, Carlos Santana, Billy Gibbons, Steve Miller, Prince, Reeves Gabrels, Joe Perry, Robben Ford, Brian Setzer, Sonny Landreth, Zakk Wylde, Eric Johnson, Robin Trower,
Scotty Moore, James Burton, Merle Haggard, Roy Nichols, Jimmie Vaughan and many others.
He has interviewed gear innovators such as Paul Reed Smith, Randall Smith, Mark Sampson and Gary Kramer, and he wrote the 1998 GP cover story/review of 150 vintage stomp boxes – an article that helped spark renewed interest in pedals from the ’60s, ’70s and ’80s. He also wrote the first book on the subject, Stompbox.
As a guitarist, he has shared stages with Gregg Allman, Stray Cats, Joe Ely, Dick Dale, Robben Ford, Lonnie Brooks, Kansas, Marshall Tucker, Foghat, Little Charlie and the Nitecats, Kenny Vaughan and Clarence Clemons, and he maintains a busy performing schedule with three stylistically diverse groups, all of which provide ample opportunity to test-drive new guitars, amps and effects, many of which are featured in the pages of GP.
Latest articles by Art Thompson

By Art Thompson Last updated
The Big F celebrates a big year by going back to its roots and revisiting its single-pickup classic.

By Art Thompson Last updated
How did Sundragon replicate the Supro Coronado Jimmy Page used on Led Zeppelin's debut album? Here's the story.

By Art Thompson Last updated
A beautiful thinline acoustic-electric at an equally attractive price, this stage-ready Takamine has a lot going for it.

By Art Thompson Published
A modern update on a Fender favorite, this combo promises Silverface mojo in a compact format.

By Art Thompson Last updated
A pick of transcendent superheroes of wood, steel, and nylon.

By Art Thompson, Rod Brakes Last updated
From fuzzes and flanges, to distortions and delays, these are some of the best effects pedals ever created.

By Art Thompson Published
Tracing the history of a very special amp.

By Art Thompson Published
Sometimes you get what you pay for, and this semi-hollow offers class, tone, and playability in abundance.

By Art Thompson Published
The quicksilver genius of Frank Zappa's playing defied categorization, but it alerted a generation of progressive guitarists to push the boundaries of their instrument.

By Art Thompson Published
A boutique tube combo that'll tickle the fancy of any vintage Fender enthusiast.

By Art Thompson Published
Richardson's vision, top-quality components, and EBMM's craft join forces on this exceptional, state-of-the-art electric.

By Art Thompson Published
The spec updates on this series add both playability and tone to two classic models.

By Art Thompson Published
Loud finishes for even louder hard rock, the Kramer name is synonymous with hard rock and heavy metal stunt guitar.

By Art Thompson Published
The Badlander moves the Rectifier series into the 21st century with CabClone IR tech and a huge array of incredible tones.

By Art Thompson Published
If there’s only room for one tremolo on your pedalboard, the MXR Tremolo is a strong contender.

By Art Thompson Published
A top-quality overdrive that uses a 12AX7 to put some genuine tube heat and crunch into your tone.

By Art Thompson Published
From early inspirations to gear and phrasing choices, Zappa offers the inside track on EVH's playing.

By Art Thompson Published
Take a closer look at the Satin and gloss-finished LPs, designed in collaboration with and exclusively available at Guitar Center.

By Art Thompson Published
Can the Big F's stompbox hot streak continue with this contemporary twist on an old-school effect? We find out.

By Art Thompson Published
A stripped-down but pitch-perfect replica of the Promise of the Real guitarist's '56 Junior.

By Art Thompson Published
A trio of hand-built overdrives that cover a wide range of drive styles with an amp-like feel.

By Art Thompson Published
Music Man's latest evolution of Steve Lukather's signature electric is spectacular.

By Art Thompson Last updated
Analog tone magic that you can throw in your gigbag.
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