Art Thompson
Art Thompson is senior editor of Guitar Player magazine and he has authored stories with numerous guitar greats, including B.B. King, Bonnie Raitt, Carlos Santana, Billy Gibbons, Steve Miller, Prince, Reeves Gabrels, Joe Perry, Robben Ford, Brian Setzer, Sonny Landreth, Zakk Wylde, Eric Johnson, Robin Trower,
Scotty Moore, James Burton, Merle Haggard, Roy Nichols, Jimmie Vaughan and many others.
He has interviewed gear innovators such as Paul Reed Smith, Randall Smith, Mark Sampson and Gary Kramer, and he wrote the 1998 GP cover story/review of 150 vintage stomp boxes – an article that helped spark renewed interest in pedals from the ’60s, ’70s and ’80s. He also wrote the first book on the subject, Stompbox.
As a guitarist, he has shared stages with Gregg Allman, Stray Cats, Joe Ely, Dick Dale, Robben Ford, Lonnie Brooks, Kansas, Marshall Tucker, Foghat, Little Charlie and the Nitecats, Kenny Vaughan and Clarence Clemons, and he maintains a busy performing schedule with three stylistically diverse groups, all of which provide ample opportunity to test-drive new guitars, amps and effects, many of which are featured in the pages of GP.
Latest articles by Art Thompson

By Art Thompson Published
Based on two models that date back to the 1980s, and a late-90s/early-'00s-era outlier model, these new offshore-built guitars have playability, build quality, and tonal versatility in spades

By Art Thompson Published
The Lion’s ability to replicate the attitude, pureness of tone and touch responsiveness of vintage Marshalls, and then combine it all with emulations of the right speakers and cabs, makes it one impressive package

By Jackson Maxwell Published
Burton – a major influence on classic rock guitar luminaries like Keith Richards, Ronnie Wood, Jimmy Page, Jeff Beck, and Brian May – was held in very high regard by Presley

By Art Thompson Published
Reviewed: Vintera II ’50s, Jazzmaster ’60s, Telecaster and ’70s Mustang.

By Art Thompson Published
”The SG Custom was a class act back in the day, and Epiphone’s latest version is every bit as appealing”: The Epiphone Joe Bonamassa 1963 SG Custom reviewed

By Art Thompson Published
Totally Wycked Audio's Krytical Mass KM-01 Reactive Octave Fuzz is modern, but with a vintage soul and if you're a fuzz fanatic this stompbox has to be high on your audition list

By Art Thompson Published
One from the Guitar Player archives: a 1998 interview with Jimmie Vaughan on tone, recording secrets, fat strings and more…

By Dave Hunter, Jimmy Leslie, Christopher Scapelliti, Art Thompson Published
Our guide to the greatest guitars, amps, pedals and accessories of 2023, handpicked by the Guitar Player team

By Art Thompson Published
Joe Knaggs started at PRS guitars before forming his own company. Their goal? To make high-end instruments that “ignite the senses and summon the muse”. Discover his unique take on guitar design and plans for the future

By Art Thompson Published
Hard rock guitarists will be rushing to get their hands on this new affordable, signature version of the S-100 Polara from China

By Art Thompson Published
Considering that it's significantly cheaper than a standard Princeton Reverb, there’s enough true-to-form realism here to make the Tone Master Princeton a sweet deal

By Art Thompson Published
A massive hit with everyone from Kiss to The Grateful Dead, Larry DiMarzio’s pickup was the start of something big

By Art Thompson Published
"I had a ’61 Stratocaster and wanted the same style of guitar with a fretboard radius of eight and a half inches, so it wouldn’t fret out when I’d bend strings…" Meet the drool-some "Telecaster-version" yellow Severn Trem SSS

By Art Thompson Published
Four super-versatile state-of-the-art compact effects pedals –the Evermore Studio Reverb, Heavenly Plate Reverb, Orion Tape Echo and the 1176 Studio Compressor – tested

By Art Thompson Published
Seventy-five years later, this classic guitar amp design continues to stand the test of time

By Art Thompson Published
“The most important thing was for it to be vocal and have that midrange that would cut in a mix,” highlights the Alter Bridge frontman

By Art Thompson Published
"The more I played the Myles Kennedy signature and experienced what it can do, the more I liked it"

By Art Thompson Published
These compact monitors have a well-balanced soundstage and aren’t fatiguing to the ears when listening at high levels

By Art Thompson Published
The late Strat-master discusses his thoughts on volume (and when loud becomes too loud), playing classical melodies on the electric guitar, and why he favored a trusty Fender amp onstage and in the studio.

By Art Thompson Published
This stripped-down metal machine provides all the essentials needed for maximum heaviness at high volume

By Art Thompson Published
DOD and its high-tech offshoot DigiTech are back in business under the ownership of Korea-based Cor-Tek

By Art Thompson Published
“When you get these things down, then you can learn how to solo,” said the purple one

By Art Thompson Published
Born out of lengthy jams, this psychedelic funk tune was recorded and mixed several times over
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