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"It was tense... then he waved his magic wand." Andy Summers reveals the Beatles connection that saved the Police's biggest album
By Christopher Scapelliti published
When a screaming match threatened to destroy Synchronicity, a desperate hike across a Caribbean island to find legendary Beatles producer George Martin changed everything

Mike Campbell on his studio secrets, channeling Jimmy Page, and what “terrifies” him about the Heartbreakers’ catalog
By Gary Graff published
Fresh off his best-selling memoir, Tom Petty’s legendary chief lieutenant and the band he calls “my go-to project” return with ‘Mission of Mercy’

“What the heck is a demo?” How Sylvester Stallone accidentally created one of rock’s biggest hits
By Mark McStea published
Survivor guitarist Frankie Sullivan reveals how a rejected Queen song, a broken guitar, and a confused action star birthed "Eye of the Tiger," released on this day in 1982

“Chris said, ‘See, you don’t need me at all.” Kim Thayil recalls Chris Cornell’s final hours
By Gary Graff published
As he releases his new Soundgarden memoir, the guitarist shares painful memories of Cornell’s last show and offers an update on the band’s long-awaited final recordings

Rita Coolidge says Eric Clapton owes her a writing credit for one of the most celebrated songs in rock
By Phil Weller published
The Grammy-winning singer helped pen the piano coda that closes "Layla," but was never credited despite her pleas to the guitarist

“I said, ‘How come you didn't use these!?’” Steve Lukather says Eddie Van Halen’s unreleased recordings left him stunned
By Andrew Daly published
Lukather says the unreleased recordings are completed performances by both Van Halen brothers — not scraps being pieced together after the fact

The Journey single that became “the Biggest Song of All Time” thanks to TV, baseball and Bachman-Turner Overdrive
By Christopher Scapelliti published
Neal Schon says the classic hit owes a debt to its producers’ unusual request

Todd Rundgren recalls taking over Badfinger’s ‘Straight Up’ after George Harrison abandoned the troubled sessions
By Gary Graff published
Rundgren says Harrison left the album unfinished as Apple Records scrambled to salvage the project behind “Baby Blue” and “Day After Day.”
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