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Alex Lifeson on the song he wrote for Rush drummer Neil Peart
By James Volpe Rotondi published
Written while Peart was dealing with cancer, the song became Lifeson’s moving tribute to the Rush icon

Rita Coolidge on how Bob Dylan’s quirky habit confused everyone during the making of his worldwide hit "Knockin' on Heaven's Door"
By Christopher Scapelliti last updated
The singer saw Dylan's unusual ways up close while working with him on the 1973 film 'Pat Garrett and Billy the Kid'

Rita Coolidge says Eric Clapton owes her a writing credit for one of the most celebrated songs in rock
By Phil Weller published
The Grammy-winning singer helped pen the piano coda that closes "Layla," but was never credited despite her pleas to the guitarist

New details emerge in Police lawsuit brought by Andy Summers and Stewart Copeland against Sting for over $2 million in royalties
By Christopher Scapelliti published
The guitarist and drummer claim they have been underpaid for “digital exploitation” of the trio's classic songs

Brian May says the spirit of Queen’s Freddie Mercury lives on in these modern glam rockers. Now he’s helped them remake their breakthrough hit
By Phil Weller published
The Struts' new version of "Could Have Been Me," featuring May, drops today.

Andy Summers tells why he deserves credit for “Every Breath You Take,” the Police monster hit at the heart of his lawsuit against Sting
By Christopher Scapelliti published
Summers contends the song was nothing without his iconic guitar riff

Andy Summers and Stewart Copeland sue Sting over the Police hit "Every Breath You Take"
By Elizabeth Swann published
Now past 2.8 billion streams on Spotify alone, the song reportedly earns the bassit $740,000 per year

Brian May is still upset about the controversial B-side to Queen’s “Bohemian Rhapsody” single
By Christopher Scapelliti published
Drummer Roger Taylor’s tongue-in-cheek tune on the hit song's B-side brought him a hefty payday. May still holds a grudge.

Ozzy Osbourne’s biggest solo hit was years in the making. It took a touch of southern rock to make it the anthem of his lifetime
By Andrew Daly published
Guitarist Zakk Wylde says the song — Osbourne’s only top-40 hit as a solo artist — combined some of the singer’s favorite styles into a powerful ballad
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