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Jim Peterik reveals the surprising story behind “Vehicle,” the Ides of March hit that broke records on its way to the top
By Michael Molenda published
Written by the future “Eye of the Tiger” composer, the 1970 smash became the fastest-breaking single in Warner Bros. history — even though the band thought it was a throwaway.

Donovan on his psychedelic breakthrough aided by heartbreak, LSD and Jimmy Page
By Elizabeth Swann last updated
The folk troubadour explains how a pair of London session pros and a white Telecaster helped create one of rock’s earliest psychedelic albums

Win tickets to an all-star tribute to David Lindley led by Papa Mali and Wally Ingram in New Orleans
By Jimmy Leslie published
Guitar Player Presents an all-star cast at Papa Mali’s New Orleans birthday bash. It’s a special Jazz Fest after party at Chickie Wah Wah on Sunday, May 3

Bruce Springsteen celebrates the Doors, the E Street Band, Patti Smith and others at the American Music Honors
By Robert Dye published
Springsteen, Steve Van Zandt and Doors drummer John Densmore perform “Light My Fire” as others are honored at the Springsteen Center’s annual event

“He said ‘I’ll f***ing do it, darling!’” Brian May on Freddie Mercury’s most defiant recording
By Elizabeth Swann last updated
May recalls how the dying singer downed a vodka and delivered one of the greatest vocals of his life

Samantha Fish doesn’t like her first live album — that’s why she did it right with her latest, ‘Paper Doll Live’
By Gary Graff published
The blues-rock guitarist’s latest release builds on the Grammy Award–nominated success of her 2025 studio album

Brian May on the chart-topping Queen hit Freddie Mercury composed while getting ready one morning
By Christopher Scapelliti published
John Lennon said the song inspired his return to the studio in 1980 for his final album, ‘Double Fantasy’

Elvis Presley inspired it. John Lennon hated it. Behind the song he wanted to keep off the Beatles’ first psychedelic record
By Elizabeth Swann published
Lennon borrowed a line from Presley’s “Baby, Let’s Play House” to write one of his darkest lyrics

“I thought it was just a little bit too simple.” Tom Petty almost gave away his biggest hit — five years after he wrote it
By Christopher Scapelliti published
It took a persistent producer and a blunt comment from a studio assistant to convince him to dust off the gem and claim it for the Heartbreakers

“I was feeling like I had so much s*** to hurl at the tape.” How Sheryl Crow broke up her hit-making band with just two words
By Elizabeth Swann published
A remark during a David Letterman interview ignited tensions with the musicians who helped create one of her earliest career-defining tracks.
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