“Why didn’t we put that on a Van Halen record?” Sammy Hagar on the song Eddie Van Halen loved, Alex Van Halen rejected — and later regretted he passed up

LEFT: Sammy Hagar and Eddie Van Halen onstage at the Rosemont Horizon, Rosemont, Illinois, March 15, 1986. RIGHT: Alex Van Halen of Van Halen performs during the 2015 Billboard Music Awards at MGM Grand Garden Arena on May 17, 2015 in Las Vegas
Sammy Hagar (left, with Eddie Van Halen) says Alex Van Halen (right) scuttled his song offering and came to regret it. (Image credit: Hagar/EVH: Paul Natkin/Getty Images | Alex: Ethan Miller/Getty Images)

With Sammy Hagar, Van Halen produced four multi-Platinum, chart-topping albums and a string of massive singles. But the Red Rocker says one key song was left out of the band’s catalogue after Alex Van Halen unfairly dismissed it.

Hagar’s arrival to replace David Lee Roth came after the band had already begun expanding its use of keyboards—most notably on “Jump,” which had been recorded and released during the Roth era on the album 1984. Once inside the group, Hagar says he continued to encourage Eddie Van Halen to explore that direction further, helping pave the way for more keyboard-driven material in the Hagar-fronted period.

While Eddie Van Halen remained the band’s primary songwriter — he once described himself as both the group’s spark plug and engine — Hagar was also contributing ideas of his own. The guitarist was energized by the creative dynamic Hagar brought into the fold, but his brother, drummer Alex Van Halen, proved a stumbling block when Hagar pitched his song “Eagles Fly.”

Rock musicians Eddie Van Halen and Sammy Hagar of Van Halen perform onstage at Veteran's Stadium for the first Farm Aid benefit concert, Champaign, Illinois, September 22, 1985.

Eddie Van Halen and Hagar onstage for the first Farm Aid benefit concert, in Champaign, Illinois, September 22, 1985. (Image credit: Getty Images)

“I showed them that song, and Eddie’s going, ‘Wow, wow, wow,’” Hagar told Total Rock. “And Alex goes, ‘Yeah, yeah. It sounds like John Denver, it’s cool,’ and moved on.”

But the drummer’s assessment would come back to haunt him. In 1987, Hagar was working on what would become I Never Said Goodbye, his ninth solo album and first since joining Van Halen. The record saw Eddie Van Halen acting as co-producer alongside Hagar and David Thoener (AC/DC, David Bowie, Kiss), with Eddie contributing bass throughout the sessions. Together, the trio resurrected “Eagles Fly,” transforming it from a stripped-back acoustic idea into a polished, contemporary power ballad.

I went, ‘Well, Al, you said it sounded like John Denver’ — because I was playing it on acoustic guitar.”

— Sammy Hagar

“When it came out, Alex heard it, and he goes, ‘Hey, why the fuck didn’t we put that on a Van Halen record?’” Hagar recalled. “I went, ‘Well, Al, if you don’t remember, I can remember you said it sounded like John Denver’ — because I was playing it on acoustic guitar.”

The song has since become a personal favorite of Hagar’s, and he has suggested its origins reflect the broader creative tensions within the band at the time.

“I had a vision,” he said, though he added, “it wasn’t a dream. I was wide awake, and I had a feeling I was in a special place. Eddie loved it.”

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At the time, Hagar says Alex Van Halen was resistant to him bringing outside ideas into the band unless they fit a strict internal division of labor.

“He was about his brother writing the music, and me writing the lyrics and the vocals,” Hagar said.

The dispute over “Eagles Fly” has since become one of several lingering “what-if” moments from the Hagar era — particularly given the commercial dominance of the band’s first album with him on vocals, 5150.

In hindsight, Hagar’s frustration appears less about a single rejected song and more about how songwriting authority was distributed within the band at the time — an internal balance that often sat uneasily alongside its commercial peak.

Elsewhere, Hagar has continued to revisit his Van Halen years in interviews, while guitarist Joe Satriani has also reflected on Eddie Van Halen’s playing and influence, highlighting aspects of his technique that he found particularly singular and difficult to replicate.

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A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to ProgGuitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.