“You can’t all play Gibson Les Pauls at the same time.” Don Felder on why the Eagles never stuck to just one guitar

Don Felder of Don Felder Band performs during The Brotherhood Of Rock Tour at Ameris Bank Amphitheatre on July 06, 2025, in Alpharetta, Georgia.
Don Felder said he learned a lot about guitar tone playing alongside Joe Walsh and Glenn Frey in the Eagles. (Image credit: R. Diamond/Getty Images)

Don Felder’s education with the Eagles is the reason he has an extensive collection of electric and acoustic guitars and equipment. It’s not just Gear Acquisition Syndrome.

His current studio setup includes a total of 19 instruments and 15 amps, but none of them are simply gathering dust. Instead, he employs them all to pursue the kind of results he achieved with Eagles classics like “Hotel California.”

“I loved and learned a lot playing in a band that had three electric guitar players,” Felder told Dr. Music, adding that it applied equally to his time alongside Joe Walsh and Glenn Frey as it had to his stint with Bernie Leadon and Frey.

(L-R) Don Felder and Joe Walsh of The Eagles perform on stage at Ahoy on 11th May 1977 in Rotterdam, Netherlands.

Felder and Joe Walsh perform onstage with the Eagles in 1977. (Image credit: Gijsbert Hanekroot/Redferns)

“You can’t all play Gibson Les Pauls at the same time,” he continued. “The tonality of it — you can’t separate them. They’re just too unique.

“So if I play a guitar track on a Les Paul, I need to play another part on a Strat or a Tele or on a PRS or on different pickups. It’s always a different combination, so you don’t wind up with everything on the same bandwidth.”

He cited an example. “If I played a Les Paul, Walsh played a Strat, Glenn would play his Les Paul Junior that had different pickups. And we had these different amps. You could really define exactly the tone and the player in their own little space.”

Felder noted, “You need to place things sonically in separate positions. That was the [biggest] thing we learned making records where we had three guitar players playing at the same time.”

Of course, Felder’s guitar history goes back further than the Eagles. As he recently told Guitar Player, while growing up in Florida he crossed paths with everyone from Duane Allman to Tom Petty, Stephen Stills and his old Eagles bandmate Leadon.

Which is likely why he thinks it takes more than 10,000 hours of practice to become a solid guitar player.

“Well, 10,000 hours is only the beginning,” he said. “That gets you there, but you’ve got to stay there. Any time you start resting on your laurels when it comes to playing, you’re making a big mistake.”

Felder’s current North American tour dates run until November 6.

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Contributing writer

Martin Kielty is an established music journalist who has written for The Daily Record, The Sun, The Herald, The Scotsman, Classic Rock, Prog, Loudersound.com and many other outlets. He’s also penned several books on music history, including SAHB Story: The Tale of the Sensational Alex Harvey Band, a group he once managed, and the best-selling Apollo Memories about the history of the legendary and infamous Glasgow Apollo. He’s appeared on TV, and when not delving intro all things music can be found traveling along the U.K.’s vast canal network.