Players Hear These Fine Vintage Martins in Action on Collector and Bluegrass Ambassador Gary Brewer’s Latest Cut, ‘House of Axes’ ‘House of Axes’ is a straight-shooting showcase for Brewgrass’s rarest and most prized acoustics from a collection of more than 100 vintage Martins Featuring Unhinged Electric Guitar Work and a Contradictory Shredding Non-Solo, Here Why You Need to Listen to Julian Priester Pepo Mtoto’s ‘Love, Love’ This 1970s ECM classic defines a moment with deeply spiritual power “It’s About Having Teeth”: Simon McBride Explains How to Get a Kick-Ass Hard-Rock Guitar Sound in an Arena The Irish axeman’s fire-breathing tube tones power a new era of Deep Purple Grid List Latest Players “Your Best Song Is Always yet to Come”: Telecaster Master James Burton Names Five Career-Defining Tracks By Joel McIver published 20 September 23 There’s only one electric instrument worth discussing, says the veteran guitarist behind Elvis, Ricky Nelson, Roy Orbison and Emmylou Harris “If You Think You’re Going to Get Better by Watching 30-Second Instagram Clips of Guitarists Playing as Fast as They Can, Think Again”: Eddie 9V Shares the Advice That Made Him Blues-Rock’s New Guitar Star By Joe Bosso published 19 September 23 From breathing to talking, fast-rising blues powerhouse Brooke Mason reveals five nuggets of wisdom “We Got One Play on MTV at 1:55 a.m. Then Everything Just Lit up”: Reb Beach Reveals How “Seventeen” Rescued Winger From Obscurity By Mark McStea published 19 September 23 The band’s 1989 hit saved them... and became a mark of hair-metal infamy Vernon Reid: "One of My Key Reference Points is Mahavishnu Orchestra’s 'The Inner Mounting Flame'. When it Came Out, it Was the Jazz Equivalent of 'Never Mind the Bollocks, Here’s the Sex Pistols'" By Anil Prasad published 18 September 23 In this classic GP interview, the legendary Living Colour guitarist discusses why he embraced his fusion side – despite that word's "dirty, dusty, foul" reputation – on his 2006 solo LP, and how his relationship with two-handed tapping has changed over the years. Albert Lee: "Back in 1963, I Bought a Second-Hand Tele and it Changed My Life Completely. The Tele Had a Really Wiry Sound Compared to My Les Paul Custom... I Immediately Began to Approach Music Differently" By Andy Ellis published 15 September 23 He's played with Eric Clapton, the Everly Brothers, Emmylou Harris, the Crickets, Joe Cocker, and countless others, but – as he told GP in this 2010 interview – Albert Lee is always, still, looking for "that perfect night onstage." Gary Moore: "When I’d See Peter Green, I Was Hanging on Every Note He Played. When He Would Hit the Note, it Would Just Go Right Through Me" By Darrin Fox published 14 September 23 The late blues guitar great discusses channeling Roy Buchanan with a Tele, the best piece of playing advice he ever got, and the hard-rock guitar icon who borrowed liberally from his "Parisienne Walkways" melody in this 2007 GP interview. Peter Frampton: "I Arrived in San Francisco To Do the Fillmore with Humble Pie. I Had a Terrible Guitar. I Was Almost in Tears Trying to Play it. Lo and Behold, This Young Man Came Up to Me and Said I Could Borrow His Black Les Paul" By Don Menn published 12 September 23 In this 1974 GP interview, Frampton discusses the inner workings of his trademark '54 Les Paul Custom, how he got started modding guitars at the age of nine, and why he thinks it’s "cheating" to use fuzz. Jeff Beck: "I’ve Done a Whole Tour with a Fender Twin When Stevie Ray Vaughan Was Going Through About Four Billion Watts... He Asked Me, ‘What the Hell Are You Using? Are Your Amps Under the Stage?’” By Art Thompson published 11 September 23 The late Strat-master discusses his thoughts on volume (and when loud becomes too loud), playing classical melodies on the electric guitar, and why he favored a trusty Fender amp onstage and in the studio. "I Kept Trying to Use Other Guitars, but Nigel Godrich Would Say, ‘You Know What We Should Try, Don’t You?’ ‘Casino?’ ‘Yep!’": Paul McCartney Reveals How He Fell Back in Love with His Epiphone Casino, and Transformed His Sound, in 2005 GP Interview By Michael Molenda published 7 September 23 For the critically acclaimed 'Chaos and Creation in the Backyard,' McCartney was encouraged to abandon his Les Paul, but also found time to beef up his acoustic fingerpicking, and plug into his old Vox AC30. "He Was Not Only a Great Rock and Roll Player, But in the Classics, and in Every Other Field, He Was Phenomenal": Ozzy Osbourne Shares His Fond Memories of Randy Rhoads in 1982 GP Interview By Jas Obrecht published 7 September 23 The Prince of Darkness discusses what he learned about music from Rhoads, and how the pioneering hard-rock guitarist would find a new guitar teacher in every town he played in, while Osbourne and the rest of his bandmates were "hunkered in the bar." 123456789Archives Get The Pick Newsletter All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox! Name: Your Email Address : Contact me with news and offers from other Future brands Receive email from us on behalf of our trusted partners or sponsors Thank you for signing up to GuitarPlayer. You will receive a verification email shortly. There was a problem. Please refresh the page and try again. MOST READ1Bluegrass Master Gary Brewer of the Kentucky Ramblers Shares Some Guitar Pick Wisdom2Featuring Unhinged Electric Guitar Work and a Contradictory Shredding Non-Solo, Here Why You Need to Listen to Julian Priester Pepo Mtoto’s ‘Love, Love’3Acoustic Control Gamma Effects Pedals Review4“It’s Like This Six-String Swiss Army Knife”: Myles Kennedy Tells ‘Guitar Player’ How PRS Rose to His Challenges With His Signature Model5“I Want to Be an Inspiration to Young Girls”: Blues Phenom Ally Venable Steps up to the Big Leagues With New Album, ‘Real Gone’
“Your Best Song Is Always yet to Come”: Telecaster Master James Burton Names Five Career-Defining Tracks By Joel McIver published 20 September 23 There’s only one electric instrument worth discussing, says the veteran guitarist behind Elvis, Ricky Nelson, Roy Orbison and Emmylou Harris
“If You Think You’re Going to Get Better by Watching 30-Second Instagram Clips of Guitarists Playing as Fast as They Can, Think Again”: Eddie 9V Shares the Advice That Made Him Blues-Rock’s New Guitar Star By Joe Bosso published 19 September 23 From breathing to talking, fast-rising blues powerhouse Brooke Mason reveals five nuggets of wisdom
“We Got One Play on MTV at 1:55 a.m. Then Everything Just Lit up”: Reb Beach Reveals How “Seventeen” Rescued Winger From Obscurity By Mark McStea published 19 September 23 The band’s 1989 hit saved them... and became a mark of hair-metal infamy
Vernon Reid: "One of My Key Reference Points is Mahavishnu Orchestra’s 'The Inner Mounting Flame'. When it Came Out, it Was the Jazz Equivalent of 'Never Mind the Bollocks, Here’s the Sex Pistols'" By Anil Prasad published 18 September 23 In this classic GP interview, the legendary Living Colour guitarist discusses why he embraced his fusion side – despite that word's "dirty, dusty, foul" reputation – on his 2006 solo LP, and how his relationship with two-handed tapping has changed over the years.
Albert Lee: "Back in 1963, I Bought a Second-Hand Tele and it Changed My Life Completely. The Tele Had a Really Wiry Sound Compared to My Les Paul Custom... I Immediately Began to Approach Music Differently" By Andy Ellis published 15 September 23 He's played with Eric Clapton, the Everly Brothers, Emmylou Harris, the Crickets, Joe Cocker, and countless others, but – as he told GP in this 2010 interview – Albert Lee is always, still, looking for "that perfect night onstage."
Gary Moore: "When I’d See Peter Green, I Was Hanging on Every Note He Played. When He Would Hit the Note, it Would Just Go Right Through Me" By Darrin Fox published 14 September 23 The late blues guitar great discusses channeling Roy Buchanan with a Tele, the best piece of playing advice he ever got, and the hard-rock guitar icon who borrowed liberally from his "Parisienne Walkways" melody in this 2007 GP interview.
Peter Frampton: "I Arrived in San Francisco To Do the Fillmore with Humble Pie. I Had a Terrible Guitar. I Was Almost in Tears Trying to Play it. Lo and Behold, This Young Man Came Up to Me and Said I Could Borrow His Black Les Paul" By Don Menn published 12 September 23 In this 1974 GP interview, Frampton discusses the inner workings of his trademark '54 Les Paul Custom, how he got started modding guitars at the age of nine, and why he thinks it’s "cheating" to use fuzz.
Jeff Beck: "I’ve Done a Whole Tour with a Fender Twin When Stevie Ray Vaughan Was Going Through About Four Billion Watts... He Asked Me, ‘What the Hell Are You Using? Are Your Amps Under the Stage?’” By Art Thompson published 11 September 23 The late Strat-master discusses his thoughts on volume (and when loud becomes too loud), playing classical melodies on the electric guitar, and why he favored a trusty Fender amp onstage and in the studio.
"I Kept Trying to Use Other Guitars, but Nigel Godrich Would Say, ‘You Know What We Should Try, Don’t You?’ ‘Casino?’ ‘Yep!’": Paul McCartney Reveals How He Fell Back in Love with His Epiphone Casino, and Transformed His Sound, in 2005 GP Interview By Michael Molenda published 7 September 23 For the critically acclaimed 'Chaos and Creation in the Backyard,' McCartney was encouraged to abandon his Les Paul, but also found time to beef up his acoustic fingerpicking, and plug into his old Vox AC30.
"He Was Not Only a Great Rock and Roll Player, But in the Classics, and in Every Other Field, He Was Phenomenal": Ozzy Osbourne Shares His Fond Memories of Randy Rhoads in 1982 GP Interview By Jas Obrecht published 7 September 23 The Prince of Darkness discusses what he learned about music from Rhoads, and how the pioneering hard-rock guitarist would find a new guitar teacher in every town he played in, while Osbourne and the rest of his bandmates were "hunkered in the bar."
