Latest about Music
“People used to show up in the parking lot and ask the crew to tell me that they had guitars to sell... One guy was facing trial and needed money for his lawyer. That's how I got my goldtop Les Paul”: Lenny Kravitz on recording, and unlikely gear finds
Since his first release, Lenny Kravitz has been the master of impeccable riffs, perfect guitar tone, and genre-melding music. As he releases his fiery new album, he takes GP inside his creative process and incredible collection of vintage guitars
“Sly Stallone asked me about why AC/DC records sounded so powerful – I told him about tape compression...”: Survivor's The Eye of the Tiger beat out Queen’s Another One Bites the Dust for use in Rocky III – here's how the '80s smash came together
Though the rewards were ultimately huge, the process of putting together one of the most iconic rock songs of the 1980s – guitarist Frankie Sullivan tells GP – was sometimes a tense one
“It’s mind-blowing to know I was a huge influence on a new crop of guitar players in the same way that Hendrix, Page, and Beck had an impact on me”: Ace Frehley on the creation of his new solo album, and the '59 Les Paul he'll forever regret selling
Ace Frehley is back with a shockingly rocking new album in 10,000 Volts. Here, he tells GP about collaborating with Trixter's Steve Brown, re-working 40-year old demos, and the more unlikely guitars in his enviable collection
“There’s a riff that represents my twisted idea of how Aerosmith might sound in 5/4”: How Guthrie Govan channeled his inner Steve Reich, and Steve Cropper, on the Aristocrats' humorous, musically dazzling new album, Duck
Re-teaming with his fellow virtuosos for another roller coaster ride of an album, Govan was unafraid to explore yet more musical avenues and instruments, but in the end, it all always came back to his signature Charvel
“The Black Hole Sun arpeggios were unusual for me – like the right side of a piano, or fairies dancing on a pin... I thought, ‘This is not me’”: Kim Thayil on how Soundgarden persevered through personal and musical frustrations to create Superunknown
Soundgarden's lead guitarist goes deep into the creation of the band's most enduring and successful album – the effects (or lack thereof) of commercial success, the difficulty of nailing down Black Hole Sun, and the fun of creating “insane chaos psychedelia” solos
“Listen to AC/DC and tell me Malcolm Young didn’t drive that band. Same with the Sex Pistols and Steve Jones. Those guys are tone merchants. That’s the club I wanted to be in”: Billy Morrison on kicking heroin, and becoming Steve Stevens' six-string foil
From the Cult to Billy Idol to a new star-studded solo album featuring the likes of Steve Vai, John 5, and Ozzy Osbourne, Morrison’s rise to rhythm guitar stardom shows the power of a good right hand – and a whole lotta personality
"Wondrous… unique… exquisite": The seven-string guitars and smooth "lap-piano" style of forgotten jazz and swing guitarist George Van Eps
On his 1966 album, My Guitar, George Van Eps makes the best case ever for playing with seven strings
"It’s always going to be random — it’s never going to sound the same. Sometimes it’s great, sometimes it’s not so great": Jazz guitarist Oz Noy on the spontaneity and experimentation of looping and "dancing on the pedals"
His new live album Triple Play is a laboratory of sonic experimentation. Oz Noy tells us how fusing modern effects with inspiration from legendary jazz and blues heroes became central to his process
"Jimmy Herring peeked behind my amp and asked, 'What speakers are you using?'": Why the old hands are asking Daniel Donato for gear advice
Roots player Daniel Donato is celebrating the drop of new cross-genre album Reflector by hitting the road with his heroes
"I’ve taught Travis picking at least 500 times but whenever I’ve asked a student, 'Do you know who Merle Travis is?' I’ve never heard, 'Yes!'" A deep dive into Walkin’ the Strings, an album whose influence is everywhere in our guitar lives
As well as writing popular standards like “Sixteen Tons”, Merle Travis was idolised by peers like Scotty Moore and the Everly Brothers. Walkin’ the Strings is a flashy, intimate and soulful masterclass of his stunning playing at its peak
