One of the most versatile stompboxes in a guitarist's arsenal, a delay pedal has a place on your pedalboard no matter what your genre or playing style. The best delay pedals can make your tone stand out or sit back in the mix, taking it from a vintage slapback sound right through to the outer reaches of the cosmos with pristine modern tones available.
Delay is one of the most popular effects in the whole of music, not just the guitar. This means that there are a million and one different pedals to choose from, which can make picking your next purchase difficult. It needn’t be so hard though. We’ve played through a silly amount of delay pedals in our time, which has enabled us to pick out the very best of the bunch for you in this comprehensive guide.
If you’re new to delay pedals, or unsure what certain terms mean and features do, then make sure to check out our buying advice section at the bottom of this article. If you just want to get to the good stuff, then keep scrolling to see our top picks.
Best delay pedals: Guitar Player recommends
For us, it doesn’t get much better than the Line 6 DL4 MkII. A legendary delay pedal given a modern reboot, it’s not only got fantastic delay sounds but also houses reverb and a looper, making it one of the most complete time-based effects pedals around.
If you want what the pros are using, then it’s all about the ubiquitous Strymon TimeLine. Packed with 12 different delay sounds, 200 presets, and a built-in looper, it’s the delay pedal of choice for many a touring guitar player.
For those who are looking to be a bit more budget or space conscious, the Boss DD-8 gives you lots of sounds with a compact form factor. With Boss’ trademark clean, noise-free operation and a wealth of sounds that go from analog to shimmer, you get a lot of bang for your buck with this one.
Best delay pedals: Product guide
The Line 6 DL4 MkII is a reboot of a now legendary digital delay pedal that’s been heard on countless recordings since its inception in 1999. Lovingly known as the ‘green monster’, this new version packs even more sounds and features into a unit that is slightly smaller than the original.
If you’re after classic analog delay sounds then the ones here are pretty much indistinguishable from the classic pedals and machines they’re based upon. All of the classic DL4 tones are available, as well as a host of more modern effects sounds which make it probably the most complete digital delay on the market.
Add in the bonus reverb sounds and you’ve got an incredibly complete soundstage to pick from, making it a proper Swiss army knife for time-based tones. The looper is as usable as ever, with an increased looping time and the intuitive functionality that made it a sleeper hit in the early noughties.
Read the full Line 6 DL4 MkII review
Present on more pro ‘boards than we care to remember, the Strymon TimeLine delay pedal is about as close as it comes to industry standard these days. Packed full of sounds and ways to tweak them, it’s the dream delay pedal for players who like to painstakingly craft their tones.
There are 12 main tones on offer here, ranging from tape and bucket-brigade-type delays right through to lo-fi and filtered sounds. They’re all eminently tweakable as well, with the Filter and Grit controls allowing you to dirty up the tones, or you can add modulated sounds to your tails. You can pitch shift your repeats and even get multi-head tape and rhythmic multi-tap sounds.
It’s not just the sounds that are great. Thanks to the myriad connectivity options there are loads of ways to integrate into your existing rig and further manipulate the sounds, which is partly why it’s so popular on pro pedalboards. Add an expression pedal to control parameters in real-time, run other pedals in the built-in feedback loop, and use MIDI control for easier preset selection, it really can do it all.
Boss’ original delay pedal, the DD-3 has been around for a long time now, so it was about time it got an upgrade. Enter the Boss DD-8, which does everything one of the best compact delay pedals ever made does, and loads more.
Despite the name, there are actually 11 different modes in the DD-8 if you count the looper. All the classic delay sounds like tape, analog and digital are here, as well as lots more esoteric tones like shimmer, modulated, and even a delay-plus-reverb option.
With an additional footswitch, you can also unlock extra functionality from certain sounds, making the pedal even more sonically flexible. Add in stereo operation for some seriously wide sounds and the option for multiple footswitches, or one expression pedal, and you’ve got a lot of delay pedal for comparatively little cost.
The TC Electronic Flashback 2 X4 is a brilliant pedal for gigging guitarists who don’t want to spend loads of their budget on one effect. Packed full of sounds and features, it’s got enough depth to keep tone tweakers happy while being easy enough for anyone to get to grips with.
We had a Flashback on our ‘board for a long time and the range of sounds on offer is excellent. From classic analog and tape delays to modulated and shimmer sounds, there’s plenty to get stuck into here. The ping-pong delay is fantastic and the ability to download premade tones via the TonePrint app offers some interesting functionality.
One of the best things about the Flashback 2 X4 is the pressure-sensitive footswitches. Called MASH by TC, they allow you to get some extra functionality with infinite delay spirals and other options depending on the setting. With plenty of routing options and saveable presets, it’s a great option for the gigging guitar player.
If you want a simple delay pedal without the bells and whistles, or you’re just a bit short of cash, the Fender Hammertone Delay pedal is one of the better options out there for cheap delay stompboxes.
There’s loads of flexibility thanks to the useful pattern control, which gives you various multi-head tape sounds. There’s a quarter-note delay and two rhythmic patterns that are pre-programmed, giving you that classic Space Echo and Echorec-type sound without having to splash the cash.
The modulation control can be augmented by dipswitches inside the pedal, and overall there’s a really nice feel to the way the delay tails degrade as they repeat. It’ll do that infinite oscillation style trick as well as act as a nice slapback, making it super versatile if tape delay sounds are your bag.
Read the full Fender Hammertone Space Delay review
Where a majority of delay pedals are now digital, the MXR Carbon Copy is an outlier in that it’s a genuine analog delay. This means it sounds quite unlike the majority of the other pedals on this list, with a distinctive tone that’s all its own.
There’s a dark warmth to this delay pedal that’s the antithesis of some of the cleaner delay sounds on others. The extended delay time of up to 600ms is more than a lot of other pedals, meaning it can do spacey and ambient just as well as it does vintage slapback.
Internal trim pots control the width and speed of the modulation although they’re a bit of a pain to access as you have to remove four screws to get to them. This is the same if you’re using battery power too so we’d recommend a pedalboard power supply for one of these. Despite that singular shortfall, its delay character sets it apart from many others on this list, with a sound that will keep you coming back.
With the original being introduced in 1978, the Electro-Harmonix Nano Deluxe Memory Man gives you all the vibe of the original without having to sacrifice so much of your pedalboard real estate.
The sound is lovely and clear despite the analog design and the feedback control does everything from slapback to long ambient delay. It does that bucket-brigade sound really well, but it’s when you start playing with the modulation sounds that things get really interesting.
You can dial in a chorus or rotary-type effect to your delay tails, making for some incredibly expansive sounds. The unusual level knob doesn’t actually control the output, but instead adjusts the input, meaning the pedal can add some drive and boost to your overall tone.
Read the full Electro-Harmonix Nano Deluxe Memory Man review
If you’ve tried every delay out there and still yearn for more, the Meris LVX Modular Delay System will offer enough depth to please even the most adventurous tone seeker. Packed full of features and functionality, the LVX is less delay pedal and more an instrument in its own right.
The Meris LVX will function as a simple delay pedal if you want it to, but it will also help you create otherworldly soundscapes that shift and undulate beneath your guitar tone. Create unruly rhythmic patterns, step sequencer-type pitch-shifting delays, synth pads, infinite reverb tails, and bass-heavy rumbles that will evoke horror and sci-fi soundtracks.
It sounds complex, yet it’s all easily manipulated via an intuitive menu system accessed from a few knob presses and turns to adjust your chosen parameter. This display makes it clear what’s contained within your sound and how it’s being manipulated, making for an incredibly immersive experience. Ideal for adventurous and progressive guitar players.
Already being hailed as one of the finest analog delay pedals ever made, the Boss DM-101 Delay Machine takes the best of true analog sound and marries it with the convenience and usability of digital.
Housing 12 bucket brigade delays, you get a huge range of sounds from the classic analog warmth of the original BBD, to tape-style delays infused with BBD character, to a clean modern sound with a defined high end. There are loads of great stereo sounds and plenty of options to shape the modulation cycles.
Many of the presets feature the ability to choose your waveform, as well as manipulate just how the modulation is applied with the Mod Rate, Mod Depth and Variation controls. Store up to 127 presets and utilize extra functionality with external footswitches or expression pedals. It’s a perfect marriage of analog and digital for the modern guitar player.
Aiming to recreate the classic tones of the Binson Echorec, the Strymon Volante is a comprehensive tape and drum echo machine that sounds absolutely incredible. It’s got a lot of depth, but take the time to master it and you can dial in some spectacular vintage tones.
There are three different echo types but all are very distinct, and when you take into account the number of parameters available to tweak, you can get an incredible amount of sounds out of it. Dial in Gilmour or Hank Marvin-esque echo tones, release your inner Sun Studios slapback, or dial in Space Echo style sounds – chances are if there’s a vintage echo tone you love, the Volante can handle it.
A powerful part of the Volante is the individual playback heads that can be activated or deactivated individually. They can operate at full or half volume and can even be sent to independent sides when using the pedal in stereo. Add in a wealth of other controls, the ability to use a footswitch and MIDI control and you’ve got one of the most comprehensive vintage echo pedals ever made.