Christopher Scapelliti
Christopher Scapelliti is editor-in-chief of GuitarPlayer.com and the former editor of Guitar Player, the world’s longest-running guitar magazine, founded in 1967. In his extensive career, he has authored in-depth interviews with such guitarists as Pete Townshend, Slash, Billy Corgan, Jack White, Elvis Costello and Todd Rundgren, and audio professionals including Beatles engineers Geoff Emerick and Ken Scott. He is the co-author of Guitar Aficionado: The Collections: The Most Famous, Rare, and Valuable Guitars in the World, a founding editor of Guitar Aficionado magazine, and a former editor with Guitar World, Guitar for the Practicing Musician and Maximum Guitar. Apart from guitars, he maintains a collection of more than 30 vintage analog synthesizers.
Latest articles by Christopher Scapelliti

“I thought it was just a little bit too simple.” Tom Petty almost gave away his biggest hit — five years after he wrote it
By Christopher Scapelliti published
It took a persistent producer and a blunt comment from a studio assistant to convince him to dust off the gem and claim it for the Heartbreakers

The woman who found Paul McCartney’s bass guitar in her attic had no idea a global search for the instrument was going on
By Christopher Scapelliti published
Cathy Guest discovered she had the bass after uploading a photo of it to Google Images

Punk originator Ross “The Boss” Friedman, who led the Dictators and Manowar, has died
By Christopher Scapelliti published
The guitarist passed away March 26, one month after announcing he had been diagnosed with ALS

Talking Heads’ Tina Weymouth on Brian Eno and the studio moment that changed everything for her
By Christopher Scapelliti published
By imagining her instrument as horn lines and later as tuned percussion, the Talking Heads bassist reshaped its role on ‘Remain in Light’

Andy Summers says the Police’s biggest riff is harder than most guitarists think
By Christopher Scapelliti published
The guitarist explains why “Message in a Bottle” demands massive stretches — and how he turned Sting’s idea into the band’s signature sound.

“They said we were just girls ripping off riffs.” How the Donnas fought rock’s double standard
By Christopher Scapelliti published
Long before Olivia Rodrigo or the Linda Lindas, the Donnas proved women could dominate hard rock. Guitarist Allison Robertson said the criticism only made them heavier

Motörhead’s Phil Campbell on the wild thing Lemmy recalled about his audition
By Christopher Scapelliti published
The late guitarist first met Lemmy as a 12-year-old Hawkwind fan — but when he auditioned for Motörhead years later, the frontman remembered something very different.

Lucinda Williams reveals the surprising rock legends who turned out to be fans of her music
By Christopher Scapelliti published
The singer, who is currently on tour with Heart, says she didn’t expect artists like Robert Plant, Joey Ramone and David Byrne to be listening to her

Joni Mitchell on why she invented her own guitar language from more than 50 tunings
By Christopher Scapelliti last updated
Teachers told her to play the masters instead of writing songs, but she was determined to create the sounds she heard in her head

P.J. Harvey on why she stopped playing guitar onstage — and the real reason she chose her first pair of tour guitarists
By Christopher Scapelliti last updated
Her first proper solo album in 1995 marked a turning point in the iconic performer’s approach to performance

How Elvis Costello and a Whitney Houston movie turned a failed song into a million-dollar payday
By Christopher Scapelliti published
The pub-rock icon thought his tune had vanished for good — until a few seconds in ‘The Bodyguard’ changed everything.

Pat Metheny on how a $100 guitar defined his career — and why he kept a toothbrush in it for decades
By Christopher Scapelliti published
The jazz legend’s battered 1958 Gibson ES-175 bore an unlikely repair throughout the most important years of his career

“An owl meeting a bumblebee in mid-flight.” Ritchie Blackmore on crafting the perfect Deep Purple–era guitar tone
By Christopher Scapelliti published
The legend reveals how Marshall, Fender and even a tape deck helped shape his famously heavy — but barely distorted — sound

Narada Michael Walden on the night he walked away from Tommy Bolin
By Christopher Scapelliti published
The Mahavishnu Orchestra and Jeff Beck collaborator says Bolin’s addictions forced a heartbreaking decision, months before the guitarist’s death.

“Can you make it more green?” Jeff “Skunk” Baxter recalls his strangest studio sessions — from Steely Dan to Dolly Parton
By Christopher Scapelliti published
The longtime Dan and Doobie Brothers guitarist recalls one-take solos, the $20 guitar behind a disco hit, and Parton’s request for “sparkles.”

oni Mitchell on the guitar she got from a Vietnam soldier — it vanished after she wrote and recorded her signature hits with it
By Christopher Scapelliti last updated
Mitchell said her 1956 Martin D-28 helped create ‘Blue’ and her most beloved songs. Losing it changed her relationship with guitars forever.

Lucinda Williams on her post-stroke health and her new album’s “battle cry” for troubled times
By Christopher Scapelliti published
The singer-songwriter opens up about her struggles with performance and the urgency at the heart of her latest collection of songs

Scotty Moore on the night Elvis Presley walked into Sun Records — and the session that launched the King’s career
By Douglas Green published
As Baz Lurhmann’s new ‘EPiC: Elvis Presley in Concert’ comes to screens, we revisit Guitar Player’s classic interview with Presley’s first guitarist

Eddie Van Halen on the one guitarist he said out–Van Halened him
By Christopher Scapelliti published
Ed's impressions of David Lee Roth’s new guitarist weren't entirely positive — he wondered if others saw him the same way

The King of Rockabilly on the gruesome onstage accident that nearly ended his career — and his life
By Christopher Scapelliti published
Carl Perkins was friends with Elvis and inspired the Beatles. But in a split second, one of rock and roll’s pioneers was nearly silenced forever

Bonnie Raitt on learning her guitar work was the theme for the hit TV show ‘Baywatch’
By Christopher Scapelliti published
Her signature slide work went from studio backing track to primetime beach anthem without her even knowing it

Bill Wyman on the $15 bass guitar that powered the Rolling Stones’ classic hits
By Christopher Scapelliti published
Long before stadium tours and Platinum sales, a cheap Dallas Tuxedo was the bassist’s secret studio weapon

Ritchie Blackmore on Eric Clapton, show business and the anxiety he couldn’t outrun
By Christopher Scapelliti published
Blackmore blamed his ruthlessness on insecurity — and the anxiety he couldn’t outrun
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