Christopher Scapelliti
Christopher Scapelliti is editor-in-chief of GuitarPlayer.com and the former editor of Guitar Player, the world’s longest-running guitar magazine, founded in 1967. In his extensive career, he has authored in-depth interviews with such guitarists as Pete Townshend, Slash, Billy Corgan, Jack White, Elvis Costello and Todd Rundgren, and audio professionals including Beatles engineers Geoff Emerick and Ken Scott. He is the co-author of Guitar Aficionado: The Collections: The Most Famous, Rare, and Valuable Guitars in the World, a founding editor of Guitar Aficionado magazine, and a former editor with Guitar World, Guitar for the Practicing Musician and Maximum Guitar. Apart from guitars, he maintains a collection of more than 30 vintage analog synthesizers.
Latest articles by Christopher Scapelliti

Randy Rhoads’ constant practice drove Ozzy Osbourne crazy. The solution? A tiny pedalboard designed to please them both
By Christopher Scapelliti Published
A unique feature were the "Ozzy Jacks," added at the singer's insistence

Ronnie Montrose offered a brutal assessment of Sammy Hagar
By Christopher Scapelliti Published
Montrose had fired Hagar from his namesake band, but in 1983 he still believed his former singer was “adequate” at guitar and “just ends up using every cliché in the book”

Tommy Emmanuel on the challenging guitar technique Chet Atkins taught him in a dream
By Christopher Scapelliti Published
Emmanuel was just 11 when he found solace in Chet Atkins’ albums. Years later, the guitarist appeared in a dream and taught him the technique he couldn’t figure out in waking life

Vince Gill explains how his fingers became the secret to the Telecaster sound that fooled a steel guitarist
By Christopher Scapelliti Published
From his beloved ’53 Telecaster to the fingerstyle technique he learned from Mark Knopfler, Gill explains why the sound of a guitar ultimately comes down to the hands playing it

Bonnie Raitt on learning her guitar work was the theme for the hit TV show ‘Baywatch’
By Christopher Scapelliti Published
Her signature slide work went from studio backing track to primetime beach anthem without her even knowing it

L7 bassist Jennifer Finch has died at age 59
By Christopher Scapelliti Published
The bassist’s death comes just days after news of her cancer battle was made public

How Peter Gabriel’s breakthrough solo hit “Solsbury Hill” was recorded with just hours to spare
By Gary Graff Published
Gabriel wrote the song about letting go after leaving Genesis, while Steve Hunter faced a daunting challenge: creating its intricate acoustic guitar part in 7/4 time

Pete Townshend on the Who's real lead guitar player
By Christopher Scapelliti Published
Townshend and John Entwistle said their inadvertent switching of lead guitar and bass roles confused fans — but it defined the Who's sound

Mike Campbell on the Tom Petty song that stunned him at every performance
By Christopher Scapelliti Published
The guitarist also shared details behind the hit song that gave the Heartbreakers their greatest challenge in the studio

David Gilmour says he never learned to play one of his most iconic Pink Floyd guitar solos
By Christopher Scapelliti Published
The guitarist says that when it comes to performing live, he has a different approach that makes rote repetition unnecessary

Fender sues Thomann in latest escalation of its Stratocaster copyright crackdown
By Christopher Scapelliti Published
The guitar giant says its countersuit is the “expected next step” after Thomann sued over cease-and-desist letters sent to Harley Benton, PRS, Yamaha and other makers of Stratocaster-style guitars.

How one man used math to solve the Beatles’ greatest guitar mystery
By Christopher Scapelliti Published
Released on this day in 1964, “A Hard Day’s Night” has confounded guitarists with its famous opening chord. Here’s why no one was ever able to play it correctly.

Neil Young on why guitar virtuosos and music schools doomed the future of rock — and why one note is enough
By Christopher Scapelliti Published
Long before social media made technical perfection a currency, Young argued that feeling — not flawless technique — was the true measure of a great guitarist

“I cried for two years. I blamed myself.” Don McLean on the “unspeakable” death that haunts his iconic hit “American Pie”
By Christopher Scapelliti Published
The songwriter kept silent about the meaning behind the song for half a century

Billy Gibbons says one unforgettable solo showed him Prince’s talents — then Prince invited him to talk guitar until dawn
By Christopher Scapelliti Published
The ZZ Top guitarist says Prince’s legendary Rock Hall performance opened his eyes to his playing before a chance late-night meeting in Manhattan turned into an hours-long masterclass

Buddy Guy on the endorsement that helped him more than any record company
By Christopher Scapelliti Published
The blues legend reflects on learning from Muddy Waters and B.B. King, inspiring Clapton and Jimi Hendrix, and why authenticity matters more than originality

Ritchie Blackmore says a “brilliant” performance was lost during the making of Rainbow’s epic “Stargazer”
By Gary Graff Published
Inspired by an advance listen to Led Zeppelin’s unreleased ‘Presence,’ Rainbow aimed higher than ever on its 1976 masterpiece. Not everyone’s contribution survived the session

Pete Townshend on the one thing that has kept Angus Young and AC/DC from evolving
By Christopher Scapelliti Published
The Who guitarist still called Young “one of my favorite guitar players” but used AC/DC to illustrate a point he'd been making ever since he built one of rock's first home studios

Johnny Marr on shredders, guitar heroes — and why he’s selling nearly 100 of his guitars dating back to the Smiths
By Christopher Scapelliti Last updated
As Marr prepares to sell his guitars, we recall his long-running disdain for the 1980s shred culture

“This was one of the greatest guitar safaris of my life.” Joe Bonamassa on tracking down Terry Reid’s 1952 Telecaster
By Christopher Scapelliti Published
A dead-end search, a Facebook message and a trip into the California desert led Bonamassa to one of the most meaningful guitars in his collection.

Thomann sues Fender over S-style cease-and-desist to take on fight for smaller manufacturers
By Christopher Scapelliti Published
The retailer says it is stepping in on behalf of makers as Fender seeks to enforce copyright claims tied to the Stratocaster body shape.

Lenny Kravitz on the desperate deal that gave him his number-one guitar
By Christopher Scapelliti Published
The guitarist learned vintage-guitar hunting from Tom Petty and Mike Campbell. Then a chance parking-lot encounter landed him a ’53 Goldtop conversion that's appeared on every album since Are You Gonna Go My Way.

“I won’t name any names... but I think those people missed my point.” Eddie Van Halen had a blunt critique of his imitators
By Christopher Scapelliti Published
The rock pioneer said his followers stripped the soul out of his guitar innovations and helped usher in the 1990s disregard for guitar virtuosity

The interview that ended Eddie Van Halen and Eric Clapton's friendship
By Christopher Scapelliti Published
History says Clapton insulted Van Halen. Taken within context, his comments were part of a wider discussion about understanding the blues

"It was tense... then he waved his magic wand." Andy Summers reveals the Beatles connection that saved the Police's biggest album
By Christopher Scapelliti Published
When a screaming match threatened to destroy Synchronicity, a desperate hike across a Caribbean island to find legendary Beatles producer George Martin changed everything
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