Christopher Scapelliti
Christopher Scapelliti is editor-in-chief of GuitarPlayer.com and the former editor of Guitar Player, the world’s longest-running guitar magazine, founded in 1967. In his extensive career, he has authored in-depth interviews with such guitarists as Pete Townshend, Slash, Billy Corgan, Jack White, Elvis Costello and Todd Rundgren, and audio professionals including Beatles engineers Geoff Emerick and Ken Scott. He is the co-author of Guitar Aficionado: The Collections: The Most Famous, Rare, and Valuable Guitars in the World, a founding editor of Guitar Aficionado magazine, and a former editor with Guitar World, Guitar for the Practicing Musician and Maximum Guitar. Apart from guitars, he maintains a collection of more than 30 vintage analog synthesizers.
Latest articles by Christopher Scapelliti

By Christopher Scapelliti Published
From his beloved ’53 Telecaster to the fingerstyle technique he learned from Mark Knopfler, Gill explains why the sound of a guitar ultimately comes down to the hands playing it

By Christopher Scapelliti Published
Her signature slide work went from studio backing track to primetime beach anthem without her even knowing it

By Christopher Scapelliti Published
The bassist’s death comes just days after news of her cancer battle was made public

By Gary Graff Published
Gabriel wrote the song about letting go after leaving Genesis, while Steve Hunter faced a daunting challenge: creating its intricate acoustic guitar part in 7/4 time

By Christopher Scapelliti Published
Townshend and John Entwistle said their inadvertent switching of lead guitar and bass roles confused fans — but it defined the Who's sound

By Christopher Scapelliti Published
The guitarist also shared details behind the hit song that gave the Heartbreakers their greatest challenge in the studio

By Christopher Scapelliti Published
The guitarist says that when it comes to performing live, he has a different approach that makes rote repetition unnecessary

By Christopher Scapelliti Published
The guitar giant says its countersuit is the “expected next step” after Thomann sued over cease-and-desist letters sent to Harley Benton, PRS, Yamaha and other makers of Stratocaster-style guitars.

By Christopher Scapelliti Published
Released on this day in 1964, “A Hard Day’s Night” has confounded guitarists with its famous opening chord. Here’s why no one was ever able to play it correctly.

By Christopher Scapelliti Published
Long before social media made technical perfection a currency, Young argued that feeling — not flawless technique — was the true measure of a great guitarist

By Christopher Scapelliti Published
The songwriter kept silent about the meaning behind the song for half a century

By Christopher Scapelliti Published
The ZZ Top guitarist says Prince’s legendary Rock Hall performance opened his eyes to his playing before a chance late-night meeting in Manhattan turned into an hours-long masterclass

By Gary Graff Published
Inspired by an advance listen to Led Zeppelin’s unreleased ‘Presence,’ Rainbow aimed higher than ever on its 1976 masterpiece. Not everyone’s contribution survived the session

By Christopher Scapelliti Published
The Who guitarist still called Young “one of my favorite guitar players” but used AC/DC to illustrate a point he'd been making ever since he built one of rock's first home studios

By Christopher Scapelliti Published
A dead-end search, a Facebook message and a trip into the California desert led Bonamassa to one of the most meaningful guitars in his collection.

By Christopher Scapelliti Published
The retailer says it is stepping in on behalf of makers as Fender seeks to enforce copyright claims tied to the Stratocaster body shape.

By Christopher Scapelliti Published
The guitarist learned vintage-guitar hunting from Tom Petty and Mike Campbell. Then a chance parking-lot encounter landed him a ’53 Goldtop conversion that's appeared on every album since Are You Gonna Go My Way.

By Christopher Scapelliti Published
The rock pioneer said his followers stripped the soul out of his guitar innovations and helped usher in the 1990s disregard for guitar virtuosity

By Christopher Scapelliti Published
History says Clapton insulted Van Halen. Taken within context, his comments were part of a wider discussion about understanding the blues

By Christopher Scapelliti Published
When a screaming match threatened to destroy Synchronicity, a desperate hike across a Caribbean island to find legendary Beatles producer George Martin changed everything

By Christopher Scapelliti Published
Davies' influences are scattered far and wide — but he hasn't always appreciated how musicians have responded to the Kinks' music

By Christopher Scapelliti Published
As Epiphone reissues his iconic 1976 ES-355, we recall when the Rush guitarist admitted PRS built "better" guitars — but why Gibson ultimately won his heart.

By Christopher Scapelliti Published
From rural South Carolina to Ornette Coleman’s circle, he built a guitar style that defied categorization and influenced generations.
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