Chris Cornell (1964-2017) was best known as the frontman of alternative rock titans Soundgarden and Audioslave, though his solo acoustic performances were equally electrifying. A prolific songwriter, Cornell’s catalog also comprises several solo albums and soundtrack credits – notably, the James Bond theme song "You Know My Name" and his final release, "The Promise."
Cornell first became serious about playing acoustic guitar in the early days of Soundgarden – the band he co-founded in Seattle during the mid-’80s and with whom he would achieve multi-platinum-selling international success with in the ‘90s.
But it wouldn’t be until the Audioslave era of the ‘00s when Cornell performed his first solo acoustic show. “I struggled a little, ’cause I had never done it before,” he told Acoustic Guitar magazine in 2015. “I played some songs acoustically that I’d never played acoustically before. It all worked – in that context right then and there.”
Before long, Cornell was touring as a solo artist and further developing his craft as an acoustic performer. “It was just a matter of allowing myself to do it, allowing myself to struggle, and allowing myself to figure out what the feel of an acoustic instrument is,” he said.
Cornell’s acoustic guitar of choice for the stage was often a Martin D-28 Marquis – a classic Dreadnought design featuring an Adirondack spruce top with forward-shifted scalloped X-bracing, East Indian rosewood back and sides, and ebony fingerboard and bridge. And in this 2017 clip from CBS This Morning, Cornell uses the guitar to perform the Soundgarden smash “Black Hole Sun.”
Appearing on the band’s 1994 album Superunknown and released as a single that year, he reportedly wrote a large portion of the song in his head during a car journey. "I wrote the song thinking the band wouldn't like it,” he told one interviewer. “Then it became the biggest hit of the summer.”
Click here to purchase Chris Cornell’s acoustic live album Songbook.
“Noel’s process is purely guitar. He’s so in love with the chords, and he was cycling through and through... He wouldn’t stop until he was satisfied”: How Noel Gallagher and Beck helped bring the Black Keys' latest funky full-length, Ohio Players, to life
“Sometimes things like that just come together, like a piece of magic. I wrote that song in just five minutes”: Dickey Betts on dueling with Duane Allman, composing Allman Brothers' biggest hit, and the oddball Les Paul/SG hybrid he “personally designed”
