“The airbag shattered all the bones.” Jack White on the devastating crash that changed his guitar playing forever
In the wake of a freak car accident, the guitarist was forced to rethink his approach to playing chords
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Jack White is widely regarded as one of rock’s most inventive guitarists — a player who built a career on primal blues riffs, battered pawnshop electrics and a defiantly DIY approach to tone.
What’s less discussed is the moment he was forced to reinvent his own technique.
On July 9, 2003 — his 28th birthday — White was driving through downtown Detroit with his then-girlfriend, actress Renée Zellweger, when another driver made a sudden turn in front of them. The collision deployed White’s airbag — and shattered the index finger on his fretting hand.
“Another motorist made a ‘horrible left turn in front of me,’” he posted to Whitestripes.com. “No chance of escape, air bag, the air near my fingers, devil in my left hand.”
Zellweger was unharmed, but White’s finger suffered a compound fracture.
“I made it through [the] year of rock ’n’ roll death and got off with just a warning,” he added, referencing the so-called 27 Club that includes Jimi Hendrix, Kurt Cobain, Brian Jones and other famous musicians who died at that age. .
At the time, the White Stripes were preparing for a major European run and North American dates. Touring was his first concern.
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“I was actually trying to play right after the car crash,” he told Guitar Player in 2010. “I was three blocks from my house, and I went right back inside and grabbed my guitar to see if I could play well enough to tour.
“But I couldn’t. I had to cancel all the shows to recover.”
White underwent surgery in which doctors used three screws to rebuild the shattered finger. In a typically uncompromising move, he filmed the procedure and posted it online.
“I wanted [fans] to better understand the complexity of the situation,” he explained. “A bone in the index finger of my fretting hand was shattered, making it absolutely impossible to play guitar. I’ve been instructed by doctors that there is no way I can move my wrist until it is completely healed.”
White’s injury resulted in him wearing a protective glove over the hand, as seen in the video for the White Stripes’ “The Hardest Button to Button.”
However, even after surgery, he never regained full functionality.
“I had to relearn how to play with these three fingers,” he told Guitar Player, holding up his middle and ring fingers and pinkie. “The airbag shattered all the bones in my index finger. It won’t close anymore — that’s as far as I can go,” he said, forming a C shape with his hand.
He explained that, out of necessity, he went about relearning how to shape chords.
“I used to play A minor with my first three fingers, but now I use fingers two through four. My index finger hangs out doing nothing most of the time.
“I can do barre chords with it now, but I can’t play a C, or a D minor with that finger. It’s become dead to me in a lot of ways.”
Whether directly tied to the injury or not, White’s philosophy toward the instrument evolved in the years that followed. In that same Guitar Player interview, he framed playing as combat.
“I always look at playing guitar as an attack. It has to be a fight. Every song, every guitar solo, every note that’s played or written has to be a struggle.”
But by March 2018, in a cover story with Rolling Stone, the tone had shifted.
“I don’t want to be fighting the guitar anymore,” he said. “I’ve been doing that for 25 years. I’m tired of it. I want the guitar to do what I want it to do now.”
By the time he spoke to Guitar World in June 2022, White had largely moved away from temperamental vintage pawnshop instruments — including his beloved JB Hutto Montgomery Ward Airline guitar — in favor of custom-built models designed for precision and ease.
“I just want to get to the idea as fast as possible,” he said. “I don’t want to have to work around the limitations of the instrument to get the sound that’s in my brain out into the room.”
For a guitarist once defined by friction — cheap gear, raw tone, physical attack — the crash marked more than a detour. It forced a technical reset that ultimately reshaped how one of rock’s most singular players approached the instrument itself. Prince had famously told White to play guitar his own way, but he never knew how far White would have to take that advice.
Elizabeth Swann is a devoted follower of prog-folk and has reported on the scene from far-flung places around the globe for Prog, Wired and Popular Mechanics She treasures her collection of rare live Bert Jansch and John Renbourn reel-to-reel recordings and souvenir teaspoons collected from her travels through the Appalachians. When she’s not leaning over her Stella 12-string acoustic, she’s probably bent over her workbench with a soldering iron, modding gear.
