“I still get emotional talking about John and George.” Paul McCartney says the Beatles are haunting his new album
The former Beatles star says memories of John Lennon and George Harrison helped shape ‘The Boys of Dungeon Lane’
Paul McCartney has spent more than six decades moving forward as one of rock’s most prolific artists. But lately, the past keeps pulling him back.
At a listening event at Abbey Road Studios, the former Beatles songwriter previewed his new album, The Boys of Dungeon Lane, and explained why memories — of childhood, lost friends and family — have become the driving force behind his latest music.
“Why am I doing all these songs about memories?” McCartney asked himself at the event, as reported by The i. “Well, it’s where your big bank of information is. Quite a few of the songs on this album go back in time.”
The legendary bass player will release the record May 27. Its title references Speke, Liverpool, where McCartney grew up — and several of the songs revisit moments from those early years.
The album’s opener recalls a teenage crush on a neighbor named Jasmine that never quite blossomed. “She did knock on the door once, but I was on the toilet,” McCartney laughs.
But some memories cut deeper — particularly those involving his former bandmates.
Lead single “Days We Left Behind” looks back on McCartney’s early adventures with John Lennon and George Harrison, long before the three would change popular music forever.
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“I still get a little bit emotional talking about John and George,” McCartney admits.
One memory behind the song involves a youthful hitchhiking trip he took with Harrison. At one point the pair caught a ride on a battery-powered milk delivery truck as they headed “down south.”
“There was the driver’s seat, a battery, and a passenger seat. George got the battery,” McCartney recalled (via The Guardian). “He had jeans with a zip on the back, and they connected with the battery. Later, at a B&B, he showed me the big zip burn!”
When McCartney later told the story to Olivia Harrison, she remembered hearing a similar version from her husband — though with a different culprit.
“She said, ‘Yeah, George told me that story about you getting your zip stuck in the battery,’” McCartney said. “I maintain it was him.”
The past isn’t only present in memories on the album. It also surfaces in the music itself.
The record features a duet between McCartney and fellow Beatle Ringo Starr — the first collaboration between the two surviving members of the band on one of McCartney’s solo releases.
McCartney has paid tribute to his former bandmates before, including performing at the 2002 Concert for George at Royal Albert Hall. And Beatles history has continued to echo into the present through projects such as the band’s AI-assisted 2023 single, “Now and Then.’
“Why am I doing all these songs about memories? Well, it’s where your big bank of information is.”
— Paul McCartney
Memories of McCartney’s family also play a role on the album. His mother died while he was still a boy, leaving him and his brother, Mike McCartney, to be raised by their father.
“I’ve never written about my mum and dad before,” McCartney explains. Reflecting on the turmoil of today’s world led him to think about his parents’ experiences during World War II — his father a firefighter, his mother a nurse.
“Imagine any minute now you’re expecting bombs to fall,” he says. “I wondered what that would do to you.”
Even the album’s creation began with a moment that felt almost accidental. It’s McCartney’s first record with producer Andrew Watt, known for his work with Ozzy Osbourne and the Rolling Stones. Their collaboration began five years ago over a cup of tea, when McCartney — casually strumming an acoustic guitar — stumbled upon a mystery chord that sparked the opening track, “As You Lie There.”
The album sessions were completed between legs of McCartney’s Got Back Tour.
During that tour, another piece of McCartney’s past resurfaced: his iconic Höfner bass, which had been missing for more than 50 years before recently returning to the stage.
For McCartney, it seems the past isn’t something easily left behind. Instead, it’s the well he keeps returning to — for stories, for songs, and for the memories that still shape his music.
A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.

