“You got a lot of nerve.” Billy Gibbons played “Purple Haze” onstage while opening for Jimi Hendrix. The guitar legend’s response changed everything for the future ZZ Top leader

LEFT: Jimi Hendrix at Electric Lady Studios, in New York CIty, August 14, 1970. RIGHT: Billy Gibbons onstage, July 29, 2017
Billy Gibbons still isn’t sure how his band the Moving Sidewalks got a gig with Jimi Hendrix. “It’s a great mystery,” he says. (Image credit: Hendrix: Walter Iooss Jr./Globe Photos via ZUMA Wire | Gibbons: Alamy)

Billy Gibbons was just 19 when Jimi Hendrix famously called him America’s best young guitar player. It was a compliment that carried enormous weight. But by then, Gibbons had already earned Hendrix’s respect.

The pair first met in 1968, when Gibbons’ pre-ZZ Top band, the Moving Sidewalks, landed the opening slot on a U.S. tour by the Jimi Hendrix Experience. Looking back, Gibbons still isn’t sure how the young Texas psychedelic-blues outfit got the gig.

“It’s a great mystery,” he told AXS TV.

Jimi Hendrix and the Moving Sidewalks in 1968

The Moving Sidewalks meet Jimi Hendrix in 1968. Billy Gibbons is second from right. (Image credit: Getty Images)

What wasn’t a mystery was Hendrix’s impact.

“We had only recently discovered Jimi Hendrix, and we quickly came to learn that here was a guy who was doing things with the Fender Stratocaster that was turning it inside out in ways the inventors never even imagined,” Gibbons recalled with a laugh.

He was a bit shy offstage, but once the lights went on, he came a-glowing.”

— Billy Gibbons

Offstage, Hendrix was reserved. Onstage, he was transformative.

“He was a bit shy offstage, but once the lights went on, he came a-glowing,” Gibbons said. “And man, he would set about doing things with that guitar that were just otherworldly.”

For the Moving Sidewalks, every night on tour became a masterclass. The relationship took an unexpected turn when the band realized it didn’t have enough original material to fill its 40-minute opening set. Their solution was audacious: play two Hendrix songs — “Purple Haze” and “Foxey Lady” — in front of Hendrix himself.

“Dare we play this in front of Hendrix?” Gibbons remembered asking his bandmates.

Billy Gibbons on His Friendship with Jimi Hendrix and Prince - YouTube Billy Gibbons on His Friendship with Jimi Hendrix and Prince - YouTube
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The gamble paid off.

“As we wrapped it up, I remembered passing by, being spun around, and this guy grabbed me by the shoulders, and smiling, he said, ‘Man, I wanna meet you. You got a lot of nerve. I like that.’”

By the end of the tour, the musicians were spending evenings together in Hendrix’s hotel room, listening to records and talking guitars. During one listening session, Hendrix reportedly asked Gibbons how Jeff Beck produced some of the sounds heard on the Jeff Beck Group’s Truth.

Gibbons’ answer put Hendrix’s influence into perspective.

“Jimi, it would probably surprise you to know that Jeff Beck is probably listening to your record, trying to figure out what you’re doing at the same time!”

Billy Gibbons performs at the Tenth Annual LOVE ROCKS NYC Benefit Concert for God’s Love We Deliver at The Beacon Theatre on March 05, 2026 in New York City

Gibbons performs at the Tenth Annual Love Rocks NYC Benefit Concert for God’s Love We Deliver, March 5, 2026. (Image credit: Getty Images)

The lessons Gibbons absorbed during that tour stayed with him long after Hendrix’s death in 1970. In fact, one of Hendrix’s guitars helped shape a key ZZ Top recording nearly a decade later.

“When we recorded that song, I was playing the Fender Strat that Jimi Hendrix gave me when we were traveling together,” Gibbons told Music Radar of ZZ Top’s “A Fool for Your Stockings.” “For some reason, the guitar wasn’t working through the amp. We wound up plugging the guitar straight into the board, and that’s why it’s such a clean tone on that track.”

Hendrix’s influence extended beyond gear. The Experience’s three-piece format helped inspire ZZ Top’s own lineup, though Gibbons later admitted it took years for the band to find an identity beyond the blues tradition Hendrix had so radically expanded.

Even today, the Strat Hendrix gave him remains part of Gibbons’ arsenal. Speaking to Premiere Collectibles in 2020, he revealed that the guitar “still gets a good whoopin’ in the studio every once in a while.”

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A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to ProgGuitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.