Joe Matera
Joe Matera is an Italian-Australian guitarist and music journalist who has spent the past two decades interviewing the rock and metal world for Guitar Player, Guitar World, Rolling Stone, Goldmine, Sound on Sound, Classic Rock, Metal Hammer and others. As a recording and performing musician and solo artist, he has toured Europe and released several well-received albums including instrumental guitar-rock outings through European labels. Roxy Music's Phil Manzanera calls him "a great guitarist who knows what an electric guitar should sound like and plays a fluid pleasing style of rock." He's the author of the books Backstage Pass; The Grit and the Glamour and Louder Than Words: Beyond the Backstage Pass. His latest is The Making of Abba: The Story of the Band's 1975 Breakthrough Album.
Latest articles by Joe Matera

By Joe Matera Published
The Bellamy Brothers say they were hurting for a hit when they befriended Diamond’s band. The rest is history

By Joe Matera Published
The veteran road manager claims it wasn’t just creative differences that destroyed Pink Floyd — it was the wives

By Joe Matera Published
Session legend Carol Kaye says the song came alive the moment she ignored the written part

By Joe Matera Published
Behind the scenes of The Dark Side of the Moon, Meddle and Pink Floyd’s most experimental years

By Joe Matera Published
After sending his legendary “Big Red” ES-335 in for a neck repair, the Ten Years After guitarist got back a very different instrument

By Joe Matera Published
The veteran tour chief for Fleetwood Mac, AC/DC, Pink Floyd and other rock legends recalls the night he saw everything chang for Green — plus his adventures with Mick Ronson, the Byrds and Frank Sinatra

By Joe Matera Published
The guitarist says his song is better known in the U.S for a successful cover version

By Joe Matera Last updated
From a fireside confession in a French château to a secret Stockholm meeting — did Blackmore actually record a solo track with Agnetha Fältskog?

By Joe Matera Published
The “Luka” singer reflects on paving the way for a new generation of women with guitars — and how her voice on “Tom’s Diner” became part of the development of the MP3

By Joe Matera Published
Vega reveals how the harrowing tune was transformed into a 1987 chart hit — and why its deeper meaning remained hidden for decades

By Christopher Scapelliti Published
Between the effect's creation and its development as a guitar pedal, interest was kept alive by a trio of fuzz-loving musicians

By Joe Matera Published
Session guitarist Al Gorgoni reveals how a frantic, unguided overdubbing session saved “The Sounds of Silence” and launched one of folk-rock’s biggest careers.

By Joe Matera Published
‘Hearts of Fire’ was Dylan’s third foray into theatrical films and featured him playing a musician very much like himself

By Joe Matera Published
He was told he’d be a one-hit wonder, but the tunesmith is going strong — and still holding the keys to his empire

By Joe Matera Published
From co-writing "Grace" with Buckley to his sessions with Chris Cornell, the journeyman virtuoso looks back on five decades of wild studio sessions and untamed rock history

By Joe Matera Published
Legendary producer Daniel Lanois reveals why Dylan insisted on tracking vocals in the dead of night on ‘Oh Mercy’ and ‘Time Out of Mind’ — two albums behind his late-career renaissance

By Joe Matera Published
The producer behind U2, Brian Eno and Peter Gabriel explains how he builds music from fragments, repurposes discarded ideas, and treats the studio itself as an instrument

By Joe Matera Published
Louie Shelton and the founding members of Toto didn’t think the song had “a chance in hell” of succeeding. A DJ proved them wrong

By Joe Matera Published
A casual remark from Daisley helped the hard-rock guitarist remake his career with ‘Still Got the Blues’

By Joe Matera Published
Eno clashed with the technically minded musicians, but the result was one of rock’s greatest — and most beloved — live albums

By Joe Matera Published
The session guitarist recalls taking the young band into a London studio in 1976 to cut the demos that led to the birth of punk rock

By Joe Matera Last updated
Prince could have anything... except the guitarist he wanted most

By Joe Matera Published
For more than two decades, the guitarist kept quiet about the trauma that befell his treasured 1964 Gibson ES-175
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!

