Vox Best Guitar Amps 2024: 15 Supreme Tube And Solid-State Amps For Home, Studio And Stage Our pick of the best amplifiers for all budgets from Fender, Vox, Blackstar, Tone King and more ThorpyFx Squeezes All Tone Bender Variants into One Germanium Fuzz Pedal with the Boneyard The U.K. pedal brand says this limited run stompbox is “the ultimate Tone Bender.” Brian May Reveals the Magic Behind His Recording Studio Wizardry In this insightful interview from the Guitar Player archive Brian May explains how he recorded classic Queen tracks. Latest Vox Why the 1968 Vox Sidewinder Bass IV is a Treat for Guitarists Looking For Low-End Adventure By Terry Carleton published 18 August 20 Whack Job: With its ultra-narrow neck and onboard effects, the 1968 Vox Sidewinder Bass IV is a bass like no other. The Sola Sound Tone Bender and the Early Evolution of the Fuzz Pedal By Dave Hunter published 27 July 20 How the Sola Sound Tone Bender made British musicians and pedal makers fuzz-crazy in the mid 1960s. 12Archives Get The Pick NewsletterAll the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!Contact me with news and offers from other Future brandsReceive email from us on behalf of our trusted partners or sponsors MOST READ1Peter Frampton reveals the stories behind five of his classic tracks2PRS SE CE24, SE Custom 24 Quilt and SE Swamp Ash Special review 3How a deeply personal twist of events brought a beloved 'Burst into Vince Gill's life4How Noel Gallagher and Beck helped bring the Black Keys' latest funky full-length, Ohio Players, to life5Best amp modelers 2024: Get your dream guitar tone with our top picks
Why the 1968 Vox Sidewinder Bass IV is a Treat for Guitarists Looking For Low-End Adventure By Terry Carleton published 18 August 20 Whack Job: With its ultra-narrow neck and onboard effects, the 1968 Vox Sidewinder Bass IV is a bass like no other.
The Sola Sound Tone Bender and the Early Evolution of the Fuzz Pedal By Dave Hunter published 27 July 20 How the Sola Sound Tone Bender made British musicians and pedal makers fuzz-crazy in the mid 1960s.