Infamously strummed using fifths in guitar stores for decades, Ritchie Blackmore’s “Smoke On the Water” riff (adapted from Beethoven’s “Fifth Symphony” according to the Deep Purple guitarist) is one of the most memorable and anthemic electric guitar moments in the entire history of hard rock.
Tracked during the sessions for Deep Purple’s 1972 Machine Head album Blackmore managed to glean this touchstone tone by plucking (rather than strumming) double-stop fourths using a large-headstock CBS-era maple ‘board Fender Stratocaster.
While he was using both Marshall and Vox amps at the time, a Hornby-Skewes Treble Booster unit was also employed to produce a more biting top end and a subtle touch of distortion. Interestingly, the band’s keys player, Jon Lord, also used a Hornby-Skewes Treble Booster in tandem with a Marshall amp to thicken the already harmonically rich tones of “Smoke On the Water.”
Recorded using a mobile studio belonging to The Rolling Stones, the bulk of the guitar tracks were cut in an empty theater in Switzerland, giving the sound a unique ambience. Having been moved on by the local police for making too much noise, however, the band set up again in an empty hotel where Blackmore then cut his solo using a Stratocaster neck pickup with his amp isolated in a separate space.
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