Watch Freddie King Set the Gold Standard in Gibson PAF Humbucker Tone
The blues behemoth demonstrates his unbridled mastery of the Gibson ES-345.
When Gibson launched the Varitone-equipped ES-345 semi-hollowbody electric guitar in 1959 (priced $345) they promised “18 separate sounds" along with "hundreds of voices.” And in this incredible clip from the 1966 TV show The !!!! Beat Freddie King provides a masterclass on harnessing the full potential of the Gibson ES-345 as we hear it echoing through the studio on full tilt.
Following a genuine golden era introduction from legendary Nashville R&B DJ Bill "Hoss" Allen, the band kicks off on a groovy stage flanked by go-go dancers and decked out in quintessential '60s style.
Look out for Clarence "Gatemouth" Brown – guitarist and Musical Director of the show’s house band – who can also be spotted rocking a 345 (albeit a cool early ‘60s Rickenbacker Capri 345 in natural/Mapleglo!)
Guitar strap slung casually over his right shoulder, Freddie King pulls out the funkiest of riffs from his ES-345 as he effortlessly explores the myriad tones of this classic Gibson semi-hollowbody, from sizzling treble licks to full throated grind.
Known to favor Gibson electrics throughout his career, in the mid-‘60s King moved from using a ’54 Les Paul Goldtop to a variety of 3-series semis, including 345s with and without stop tailpieces .
Check out Gibson’s Freddie King ES-345 recreation – the Freddie King 1960 ES-345 Sixties Cherry VOS – here.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
Rod Brakes is a music journalist with an expertise in guitars. Having spent many years at the coalface as a guitar dealer and tech, Rod's more recent work as a writer covering artists, industry pros and gear includes contributions for leading publications and websites such as Guitarist, Total Guitar, Guitar World, Guitar Player and MusicRadar in addition to specialist music books, blogs and social media. He is also a lifelong musician.
“He makes it sing, and he makes it cry. He can do it all.” Jeff Lynne explains why a "campfire classic" proves George Harrison's slide playing was second to none
"I was like, 'I'm wasting this pedal.' The way I've been setting it now is where it's a little warmer and a little gainy-er." Warren Haynes says it's the greatest overdrive pedal and tells why the Ibanez Tube Screamer can't beat it