It’s never too late to discover the minor pentatonic key of C sharp. Frank Zappa’s epic “Muffin Man” outro solo proves the point – and some! Featured as the closing number on Zappa’s 1975 (mostly) live album Bongo Fury starring his old high school buddy Captain Beefheart aka Don Van Vliet “on vocals and soprano sax and madness”, this standout track is a high point for many in the late, great guitar hero’s career.
While Zappa’s inimitable guitar tones were chiefly down to his singular technique, his approach to modifying instruments made him sound all the more distinctive.
By fitting his electric guitars with midrange-boosting preamps, altering the phase of the pickups, and half-cocking his wah wah to emphasis certain resonant frequencies, Zappa was able to create a variety of dynamic tones which not only cut though the mix but also allowed him to control feedback in a highly musical way.
In this clip from a 1977 Halloween concert at New York City's Palladium Theater, Zappa is using his “Baby Snakes” SG – his main ax during the late ‘70s that he bought for $500. Though it appears to be a straight Walnut Gibson SG Standard from a distance, this guitar features a customised body, fancy fretboard inlays, an extra (23rd) fret, and bespoke-designed electronics including various preamp and phase switching options.
Check out the incredible Halloween 77 box set here.
"He'd been given the guitar for his 16th birthday and obviously didn't want it. I took one look and said, ‘Thanks, I'll have it!’ " Phil Manzanera on his Roxy Music Firebird, "Love Is the Drug" 1951 Tele and other favorite guitars
“Eddie told us that he copied that style from listening to us. He was a big fan of the band and came to see us play regularly.” Rick Derringer recalls a young Eddie Van Halen and performing with Johnny Winter
