“We haven’t got a single.” Paul McCartney recalls how the Beatles gave the Rolling Stones their first hit

Keith Richards (left) and Brian Jones, chat with Beatle Paul McCartney, in the early hours (7th July) at the Dorchester Hotel London, to celebrate the premiere (6th July) of The Beatles first film, A Hard Day's Night, The Stones were celebrating too, their disc, It's All Over Now, is top of the charts, pictured 2am Tuesday 7th July 1964.
Keith Richards and then-fellow Stone Brian Jones talk with Paul McCartney at the premiere of the Beatles’ film A Hard Day’s Night, in London, July 6, 1964. (Image credit: Daily Mirror/Daily Mirror/Mirrorpix via Getty Images)

When the British rock scene exploded in the 1960s, the media were quick to manufacture rivalries — and few sold papers better than the supposed feud between the Beatles and the Rolling Stones.

But according to Paul McCartney, the reality was very different. Far from being enemies, the bands were part of a close-knit musical community that regularly crossed paths in London.

Speaking with Vernon Kay on BBC Radio 2 about the songs that shaped his life, McCartney reflected on the camaraderie shared by the era’s biggest acts while discussing “You Really Got Me” by the Kinks.

Paul McCartney and Keith Richards attend the VH1 Vogue Fashion Awards After Party at the Hudson Hotel in New York City, October 20, 2000.

McCartney and Richards attend the VH1 Vogue Fashion Awards After Party at the Hudson Hotel in New York City, October 20, 2000. (Image credit: Kevin Mazur/WireImage)

“It was a lot of fun,” McCartney recalled. “The thing I liked about it was that it was a community. Even though we’d all come from different parts of the U.K., we were all now in London, and so there was great camaraderie.

“I think the newspapers really played it up like there were terrible rivalries and we hated each other. It wasn’t true.”

McCartney then shared a story that illustrated the bond between the bands.

“John and I were down in Charing Cross Road, where our music publisher was, and we were looking enviously into the windows of all the guitar shops,” he said. “At some point, we heard, ‘Oi!’ and we looked out in the street. There’s a London taxi going along, and there’s Mick and Keith hanging out.”

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The pair — Mick Jagger and Keith Richards — invited them into the cab, where the conversation soon turned to the Stones’ need for a new single.

“‘Well, we haven’t got a single,’” McCartney recalled Jagger saying. “‘We need a new single.’”

McCartney immediately thought of a song the Beatles had recorded but didn’t plan to release as a standalone single.

“Me being entrepreneurial or pushy, I said, ‘Well, we’ve got one that Ringo’s done on the album, and we’re not going to release it as a single,’” he said. “‘You guys would do it great, because it’s Bo Diddley style.’”

That song was “I Wanna to Be Your Man,” which the Rolling Stones released in November 1963. It became the band’s first U.K. Top 20 hit, reaching number 12.

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“That just shows the camaraderie,” McCartney then says. “We gave them a song instead of jealously guarding it, not wanting them to do it.”

The Beatles would later release the song on their second album, making it the only song shared across their discographies.

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The two groups continued to cross paths over the years, including in the studio. Brian Jones sang backing vocals on the Beatles’ “Yellow Submarine” and played saxophone on the 1970 B-side “You Know My Name (Look Up the Number),” while Jagger sang background vocals on their 1967 recording “Baby You’re a Rich Man.”

Lennon and McCartney sang on the Stones’ 1967 single “We Love You,” and Lennon performed with Keith Richards in the group the Dirty Mac for The Rolling Stones Rock and Roll Circus event in December 1968.

Decades later, in 2023, McCartney joined the Rolling Stones on record again when he played bass on the Hackney Diamonds track “Bite My Head Off” and “Covered in You,” the latter of which is on the group’s new album, Foreign Tongues.

“I showed up as a session player,” McCartney said. “It was a really good feeling, because I wasn’t a star, I was just the bass player.

“I’m standing there playing, and I’m thinking, ‘I’m playing with the Stones!’ I should be blasé and say, ‘I’ve known them for years,’ but it was special.

“You better believe when I got home that evening, I said, ‘I’ve just played with the Stones. I loved it!’”

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A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to ProgGuitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.