Foxx Tone Machine “The Way We Talk is Never in 4/4”: Naia Izumi Speaks His Unique Musical Language on ‘A Residency in the Los Angeles Area’ This compelling pop masterwork brings original style and showcases stellar guitar talent. The Foxx Tone Machine Was the Fuzz of Choice for Peter Frampton, Billy Gibbons, and Adrian Belew With its fuzzy looks, sound, and feel this was the dirt box to beat in the '70s. Get The Pick NewsletterAll the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!Contact me with news and offers from other Future brandsReceive email from us on behalf of our trusted partners or sponsors MOST READ1“Sometimes things like that just come together, like a piece of magic. I wrote that song in just five minutes”: Dickey Betts on dueling with Duane Allman, composing Allman Brothers' biggest hit, and the oddball Les Paul/SG hybrid he “personally designed”2“When I heard Lindley play that, I went, ‘That’s the most incredible thing I’ve ever heard in my entire life’”: All-star tribute show in honor of David Lindley, one of the greatest sidemen of all time, announced3“We all knew it was really good… The guitar playing is just amazing”: How Dickey Betts made “Ramblin’ Man”, triumphed over tragedy and led the Allman Brothers to their greatest success4“The chord progression in the Highway Star solo – Bm, to a Db, C, and then G – is a Bach progression”: Ritchie Blackmore on Steve Howe, Jimi Hendrix, classical influences and more5“Dickey was larger-than-life, and his loss will be felt worldwide”: The Allman Brothers Band’s Dickey Betts has died at 80