Carlos Santana
Latest about Carlos Santana

“John McLaughlin scared the hell out of me.” Narada Michael Walden on his 1970s adventures with Mahavishnu, Robert Fripp and Carlos Santana
By Gary Graff published
The drummer and producer for Whitney Houston and Aretha Franklin recalls the intimidating moment he first jammed with the Mahavishnu Orchestra leader

Carlos Santana says Stevie Ray Vaughan begged him to play his #007 Dumble amp from beyond the grave
By Phil Weller published
The guitarist believes SRV just wanted to feel the joy of playing guitar — and pushing air — one more time

The time Carlos Santana picked a fight with Gene Simmons
By Elizabeth Swann last updated
The spiritual “Smooth” guitarist created a commotion when he became strangely outraged by Kiss’s makeup

Guitar Player presents 50 badass blues guitar solos you must hear
By GP Editors last updated
From the players of old to the guitarists shaping the blues scene, this list serves up a cross section of the genre’s finest solos from across nearly a century of guitar blues

Grace Bowers on Funkadelic, Leslie West and the 10 records that changed her life
By Gary Graff published
The guitar wunderkind reveals the diverse range of funk, rock and R&B albums that shaped her as a musician

Paul Reed Smith explains why it doesn’t matter where guitars are made
By Phil Weller published
Calling Carlos Santana and Jimmy Herring up as witnesses, the luthier continues his electric guitar myth-busting streak

“I had only one concern: Would Jimi Hendrix like it if he were here?" Carlos Santana on the making of the Supernatural album
By Andy Ellis published
On the release of his astonishingly successful 'Supernatural' album, Carlos Santana discussed taking inspiration from Miles Davis, Peter Green's legato lines, and revealed what (and who) finally got him to use a Tube Screamer

A Favorite of Carlos Santana, Al Di Meola and John Frusciante, Yamaha’s SG-2000 Was Intended as a Les Paul Killer
By Dave Hunter published
Appealing to players fed up with declining U.S. quality, the most successful and acclaimed Japanese guitar of the late ’70s wasn’t a direct copy of anything
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