Brian May says guitarists overlook one of George Harrison’s greatest strengths: “He’s so underrated”

LEFT: Brian May of Queen and Adam Lambert performs on stage at O2 Arena on January 17, 2015 in London. RIGHT: George Harrison performs onstage during his Dark Horse Tour in 1970 in San Francisco, California.
Brian May is a George Harrison fan: “I love George, I love his playing.” (Image credit: May: Neil Lupin/Redferns via Getty Images | Harrison: Robert Altman/Michael Ochs Archives/Getty Images)

Brian May believes George Harrison deserves more recognition for his contributions to the electric guitar’s legacy. In his view, guitarists who dazzle with speed and fireworks have overshadowed the quieter virtues of the instrument — qualities Harrison possessed in abundance.

May knows a thing or two about making an electric guitar speak. He was crowned the world’s greatest guitarist in Total Guitar’s 2020 rankings, narrowly beating Jimi Hendrix to the top spot.

His work with his fabled Red Special is testament to his own formidable talent, though May’s playing often falls on the flashier end of the spectrum. Consider his solo on “Don’t Stop Me Now,” which he fought to include after Freddie Mercury argued that the song was better suited to piano. Yet, speaking to the Express in 2022, May explained why Harrison’s less showy approach deserves equal respect.

George Harrison plays his 1963 Rickenbacker 360/12 guitar on stage during rehearsals for the TV show 'Thank Your Lucky Stars' Summer Spin at Teddington Studios in London on 11th July 1964.

Harrison plays his 1963 Rickenbacker 360/12 guitar during rehearsals for the TV show Thank Your Lucky Stars, in London, July 11, 1964. (Image credit: David Redfern/Redferns)

“At every stage in their career and their music development, they were models,” he said of the Beatles more broadly (via Far Out). “And they still are to me, I must say.

“They are the pinnacle of writing, performance and ethos of rock music,” May added. “They broke down so many barriers, they changed the world many times. I will always love The Beatles without any reservation.”

But membership in one of the most successful and influential bands in history doesn’t guarantee individual recognition. Harrison’s legacy has often been overshadowed by those around him. Within the Beatles, he struggled to make room for his songs alongside the dominant Lennon-McCartney partnership.

Outside the band, he was frequently measured against guitarists such as his good friend Eric Clapton, who once comprehensively beat him in a guitar duel, as well as Jeff Beck and Jimi Hendrix. May, however, believes Harrison’s playing deserves to be judged on its own merits.

Former Beatle George Harrison (1943 - 2001) records 'Let it Be' for Ferry Aid, 1987

(Image credit: Getty Images)

“I love George, I love his playing,” he said. “I hold George in such reverence and I think he’s so underrated by the guitar community. Everyone raves about people who play fast, but if you look at the catalogue of stuff he’s produced, it’s colossal.”

Harrison’s songwriting was central to his legacy, and he enlisted Clapton to play the lead lines on “While My Guitar Gently Weeps” — a move that helped bring the song to life while allowing Harrison’s composition to take center stage. Clapton’s contribution became one of rock’s most celebrated guitar performances, but the song itself remains a showcase for Harrison’s songwriting.

Everyone raves about people who play fast but if you look at the catalogue of stuff he’s produced, it’s colossal.”

— Brian May

His achievements extended well beyond songwriting. His sitar playing established his pioneering credentials, while his slide guitar work became another defining part of his sound. Clapton was particularly impressed by Harrison’s slide playing. As Harrison once told Guitar Player, “if Eric gives me the thumbs up on a slide solo, it means more than half the population.”

Eric Johnson has also highlighted a quality that made Harrison special.

“George shows us that it's about the emotion and not the commotion of the guitar playing,” he once told Guitar World.

Fast, loud playing will always command attention. But Harrison’s legacy is a reminder that technical fireworks aren't the only measure of a great guitarist — and that sometimes the most enduring playing is the kind that serves the song.

CATEGORIES

A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.