Phil Weller
A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.
Latest articles by Phil Weller

By Phil Weller Published
Although his solo career was going strong, the Quiet Beatle entertained the possibility of forming a new band with one of his former Fabs

By Phil Weller Published
The time the young Ron Wood found himself in the Yardbirds for one night only

By Phil Weller Published
The guitarist dismisses the belief that speed is the be-all and end-all

By Phil Weller Published
Mastodon has released a short film about the guitarist who died just six months after leaving the band

By Phil Weller Published
Mick Jagger and Keith Richards have reflected on the band’s changing creative process as they ready their latest album, “Foreign Tongues”

By Phil Weller Published
Some artists – AC/DC, the Ramones – find their sound and lock in. David Bowie never stood still. Here's why…

By Phil Weller Published
When FedEx ships your guitar to the wrong state, you need Johnny Marr to bring it home

By Phil Weller Published
Guitarists, he says, need to stop comparing themselves to others

By Phil Weller Published
Playing in subzero temperatures meant frozen fingers, failing tuning and some very unusual rules — including one gig where the audience had to wear headphones

By Phil Weller Published
Hitmaker Desmond Child gives a unique insight into Dave Lee Roth's unique working methods in the 1990s

By Phil Weller Published
Page hadn’t picked up a guitar for two years. A casual encounter with the Bad Company bandleader changed everything

By Phil Weller Published
And one of Van Halen’s most enduring hits seems to back up her argument

By Phil Weller Published
The corporate buyouts of America’s biggest brands have been blamed for a decline in quality – but what if they only exacerbated the issues facing the industry at that time?

By Phil Weller Published
A forgotten piece of 1970s gear became crucial to their late-career swan song

By Phil Weller Published
62 years after he last played it, Paul McCartney dug out a significant song for Taylor Swift's wedding

By Phil Weller Last updated
The Goo Goo Dolls frontman says Swift's 2011 Madison Square Garden duet — and viral social media moments since — helped keep one of rock's biggest songs alive

By Phil Weller Published
Originally dismissed during early sessions, “Eagles Fly” was later revived by Hagar and Eddie Van Halen for his first Van Halen–era solo album

By Phil Weller Published
The Muse guitarist says he never expected his band, the White Stripes and the Strokes to outlast their early-2000s peers — and he credits White with changing guitar culture along the way

By Phil Weller Published
Van Halen revealed his very practical reason for ignoring the rule against performing on other artist’s recordings

By Phil Weller Published
With Lee sidelined by laryngitis and bronchitis, it’s a reminder of 1979’s ‘Hemispheres’ tour, when Lifeson’s fretting hand took a hit just as Rush were becoming one of rock’s hottest live acts

By Phil Weller Published
May says creative friction was part of the process that made the group so successful

By Phil Weller Published
The son of John Lennon traces his love of dark, dissonant music to Fantasia and the Beatles' “I Want You (She's So Heavy),” which he calls one of rock's most groundbreaking riffs

By Phil Weller Published
McCartney says the band was happy to see if Lennon’s altered state created studio magic. On this night, it nearly ended in catastrophe

By Phil Weller Published
As the Best of All Worlds band heads to Europe for July dates, Satriani says Hagar's greatest strength as a guitarist comes from thinking more like a lead singer than a shredder.

By Phil Weller Published
The former Mr. Big guitarist says tinnitus can make entire performances sound painfully out of tune — even when audience recordings prove everything was pitch-perfect. But the condition also led him to become a more melodic player
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