
Gary Graff
Gary Graff is an award-winning Detroit-based music journalist and author who writes for a variety of print, online and broadcast outlets. He has written and collaborated on books about Alice Cooper, Neil Young, Bob Seger, Bruce Springsteen and Rock 'n' Roll Myths. He's also the founding editor of the award-winning MusicHound Essential Album Guide series and of the new 501 Essential Albums series. Graff is also a co-founder and co-producer of the annual Detroit Music Awards.
Latest articles by Gary Graff

Todd Rundgren reflects on Jeff Beck, Eric Clapton and the moment he nearly jammed with Hendrix
By Gary Graff published
As he nears the 50th anniversary of ‘Faithful,’ his tribute to 1960s classic rock, the songwriter and producer recalls the guitar heroes who shaped him

Waddy Wachtel on his 1970s adventures with Warren Zevon — from Robert Johnson’s licks to “Werewolves of London”
By Gary Graff published
Before making ‘Excitable Boy,’ the guitarist clashed with Zevon, jammed all night on Everly Brothers tour stops and learned the blues from one of rock’s sharpest songwriters.

Carmine Appice on cutting a Coke ad with Jeff Beck, hanging with Jimi Hendrix and playing with Rod Stewart and Rick Derringer
By Gary Graff published
As he returns with a new Cactus album, Appice tells tales from his star-studded past dating back to his years in Vanilla Fudge

Treaty Oak Revival’s Lance Vanley went to buy a $300 Strat. He got an armed encounter
By Gary Graff published
The guitarist behind the hit southern rockers arrived at a garage meeting where a gun was present, a pat-down followed, and an unexpected deal unfolded.

How Vince Gill got and lost Chuck Berry’s autograph in less than an hour
By Gary Graff published
The Nashville hitmaker got a memorable story from the encounter — and a surprise in return from Berry

Samantha Fish doesn’t like her first live album — that’s why she did it right with her latest, ‘Paper Doll Live’
By Gary Graff published
The blues-rock guitarist’s latest release builds on the Grammy Award–nominated success of her 2025 studio album

Ritchie Blackmore on the one musician he was closest to — and what drove a wedge between them
By Christopher Scapelliti published
The two men reconnected before one of them died, leading Blackmore to write a song in his memory

“Keith, your guitars only have five strings!” Brian Setzer recalls the day Keith Richards handed him his Les Paul
By Gary Graff published
The Stray Cats guitarist adds that he’s picked up a couple of new guitars — and they’re not Gretsches

“I kept Cozy in the band because he would bring stacks and stacks of English chocolates...”
By Gary Graff published
Rainbow’s new nine-disc ‘Temple of the King’ box arrived with a rare invitation to debrief the elusive virtuoso.

Keith Richards had a priceless response when he caught his band watching the Fab Four
By Gary Graff published
The Rolling Stones guitarist delivered a one-line reminder of who he was — and where he’d been

Steve Stevens showed up to rehearse with Eddie Van Halen — and instantly knew he’d made a mistake
By Gary Graff published
The Billy Idol guitarist recalls his first jam at Eddie Van Halen’s home — and the gear friendship that followed from it

Why Bill Frisell bought Robert Quine’s blue Telecaster after his death
By Gary Graff published
Frisell recalls his friendship with Quine, the New York City jam session that led to the guitar’s purchase, and the modifications that made it his own.

Steve Stevens on the time Mick Jagger was mistaken for a session bassist
By Gary Graff published
Jagger dropped in on a Billy Idol studio date hoping to interest Stevens in a new guitar company created by his brother

“The guitar is like this magic wand.” Bill Frisell on imagination, collaboration and the guitar guiding his new album
By Gary Graff published
The jazz great speaks with us about creative humility, turning 75 and why ‘In My Dreams’ is about collective conversation — not guitar heroics

Steve Stevens on smashed guitars, being pushed offstage — and what he discovered watching Billy Idol’s new documentary
By Gary Graff published
As ‘Billy Idol Should Be Dead’ hits theaters, the New York native talks highlights from his long career with the British rocker

Jeff Beck drummer Narada Michael Walden reveals the guitarist left behind a previously unknown trove of unreleased tracks
By Gary Graff published
The jazz-fusion drummer recalls Beck’s “lost confidence” in the years after they collaborated on ‘Wired’

Bernie Leadon dissects the Eagles’ biggest album of all time
By Gary Graff published
“It’s really simple, and simple’s good,” the group’s co-founder says, “if you want to reach people and make it memorable”

Al Jardine on the Beach Boys’ “lost album” and Brian Wilson’s strangest comeback
By Gary Graff published
As ‘We Gotta Groove’ highlights a polarizing, two-year period in the group‘s history, the long-running guitarist reflects on a band in transition

Vince Gill on how he found the instrument he calls “the definitive guitar in my life”
By Gary Graff published
Gill also talks about the “daunting” task of filling in for an ailing Joe Walsh on a recent Eagles gig

The show that ended David Bowie’s touring career — and the song that became his last hit
By Gary Graff published
Earl Slick recalls working with the artist in his final years on tracks highlighted in the new David Bowie box set, 'I Can’t Give Everything Away'

George Thorogood on his Live Aid performances with Bo Diddley and Albert Collins, and the two actors who made his day
By Gary Graff published
Read one of Guitar Player's top stories of 2025

John Lennon played it on repeat. Frank Sinatra called it the best song of the 1970s. How a simple C9 chord inspired a timeless top-10 hit
By Gary Graff published
“It was a spiritual download that just flowed through me”: guitarist Graeham Goble explains how learning this extended chord unlocked LRB's “pinnacle song” in half an hour

Paul Rodgers on playing with Paul Kossoff, Mick Ralphs, Jimmy Page, Jeff Beck, Brian May, Steve Cropper, Slash and Joe Bonamassa
By Gary Graff last updated
“I don't really know the secret of how guitarists create their own unique sounds,” Rodgers tells us, “but I know a good guitar sound when I hear it”
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