Fender Jazzmaster
Latest about Fender Jazzmaster

We review the Fender Vintera III Mid ’60s Jazzmaster
By Art Thompson Published
Faithful vintage styling, superb playability and versatile electronics make the Vintera III Mid '60s Jazzmaster Fender's most convincing reissue yet

Joe Bonamassa calls on LA locals to help session player Mason Stoops retrieve his stolen gear
By Phil Weller Published
Three of his most cherished guitars are among those stolen from the Highland Park neighborhood, and JoBo is using his following to help track the loot down

Thurston Moore was gifted a vintage axe when Sonic Youth's gear was stolen. He had no idea how rare it was
By Gary Graff Published
Patti Smith gave Moore the guitar after suffering a similar theft of gear and personal items years before

“I said, 'Well, Lee, I've been using a lot of Black Sabbath–style moves in Sonic Youth.'" Thurston Moore reveals an unlikely influence on his unique guitar style
By Gary Graff Last updated
In an interview about his new solo album, 'Flow Critical Lucidity,' Moore also reveals the modern appeal of old tech, weird six-string tunings and unusual guitar slides.

“We Played the Song on ‘Ed Sullivan,’ and the Next Day It Hit Number One”: Tommy James Reveals the Magic Combination Behind the Shondells’ Timeless Psychedelic Hit “Crimson and Clover”
By Joe Bosso Published
Later covered by Joan Jett, Cher and Prince, the pop icon’s 1968 smash was recorded using a Fender Jazzmaster through an Ampeg Gemini amp

The History of the Fender Jazzmaster
By Rod Brakes Published
With the Jazzmaster’s underdog image rapidly fading into the past, we take a step back in time with Fender historian Terry Foster, and catch up with Mike Long, proprietor of vintage specialists ATB Guitars in Cheltenham, U.K., to touch on its future

“I Always Like to Be Surrounded by Vintage Gear”: Kurt Vile Talks Vintage Guitars, Custom-Made Acoustics, Tweed Fender Amps and Rare Effects
By Christopher Scapelliti Published
“When I get a new guitar it feels weird. I almost want to throw it against the wall, just to make it look normal,” says the indie-rocker

“We Try to Always Make a Record That We Would Want to Listen to”: GA-20 Guitarists Matt Stubbs and Pat Faherty Show Us the Gear That Fuels Their Authentic Blues-Rock Tone
By Mark McStea Published
Their stripped-down approach has propelled the “Lords of Lo-Fi” to the top of the blues charts
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