“I’m not letting anyone push me around anymore. You’re either in it with me or not.” Grace Bowers returns to YouTube with a powerful statement of defiance
The guitarist is embarking on a new chapter, making “music for the girls in the front row”
Grace Bowers has returned to YouTube, relaunching her channel with a wholly new approach just months after quitting the platform altogether.
The young hotshot guitarist had proclaimed her discomfort at being gawked at by older generations, insisting that she wanted to appeal to her own age.
Her U-turn comes with a change of tack, as she ruminates on the person and player she was when she broke out several years ago, and on the one she is today.
“Let’s try this again, huh?” she writes on her channel’s community page. “I’m making changes. I’m not bothered by just comments; I’m bothered by the things I had to deal with in real life. Things I didn’t think about when I was 14, posting videos for fun.”
She goes on to say that her focus is now on making “music for the girls in the front row. Not the weird dude with a tripod tryna look up my shorts.”
The guitarist broke out at a young age by uploading cover songs to the platform, quickly garnering the respect of some big-name players and the press. But she’s also had to contend with sexism and agism, as she’s forged a career that’s seen her release an acclaimed blues album, Wine on Venus, in 2025, jam with Peter Frampton, and play the Grammys.
Bowers has previously stated that she wants to pivot away from the blues to explore other musical styles, and her Ozzy tribute last year certainly proves she has the chops. It appears she wants to unshackle herself from the ‘savior of the blues’ that she’s had bandied around her, given her age and profile.
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“I’m not a prodigy,” she asserts. “I’m not carrying a torch. I’m not here for old heads to sexualize me, as I have been for the past few years. I’m creating music that I have never felt is so true to who I am.
“I’m not letting anyone push me around anymore,” she continues. “I’ve been through a lot this year as I get ready to turn 20 next month. You’re either in it with me or not. I’m not who you want me to be, and I can’t wait for this next era of music.”
A follow-up post later said to expect less guitar content, although music videos seem to still be on the cards as she tees up a new release.
Based on the reels she has recently posted on both Instagram and YouTube Shorts, her content now appears to be taking a more informative, biographical approach. Reels have covered everything from ‘How to get into music as a teenager’ to speaking out against AI to promoting women’s rights.
It’s a bold and defiant move from a guitarist who has been seen as blue guitar’s next best thing – we won’t use the phrase ‘torch bearer’ – for many years now. She is, in effect, stepping away from the fanbase that has gotten her this far, but it’s also a move that puts her creative and personal wants and needs before all else.
What doesn’t change is Bowers’ talents, and if she wants to put them towards art that she is more personally attached to, that can only yield great results.
A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.

