Jackson Maxwell
Jackson is an Associate Editor at GuitarWorld.com and GuitarPlayer.com. He’s been writing and editing stories about new gear, technique and guitar-driven music both old and new since 2014, and has also written extensively on the same topics for Guitar Player. Elsewhere, his album reviews and essays have appeared in Louder and Unrecorded. Though open to music of all kinds, his greatest love has always been indie, and everything that falls under its massive umbrella. To that end, you can find him on Twitter crowing about whatever great new guitar band you need to drop everything to hear right now.
Latest articles by Jackson Maxwell

By Jackson Maxwell Published
Radio-friendly as it was, Owner of a Lonely Heart nonetheless had a one-take solo that was the product of some quirky mic placements

By Jackson Maxwell Published
In 2013 – in the midst of a tour, and just one month after the release of Bon Jovi's What About Now album – Sambora ended his 30-year run with the enormously successful band

By Phil Weller Published
A spin of sorts on the company's ultra-popular John Mayer signature Silver Sky, the new model brings PRS's Narrowfield pickups into the company's SE line for the first time

By Jackson Maxwell Published
Finding other makers and luthiers unwilling to listen to his ideas, the virtuoso turned to a more receptive Grover Jackson

By Jackson Maxwell Published
The ad was a rare moment in the spotlight for Jackson, a trailblazing Mississippi native who amused audiences with her grandmotherly appearance before leaving them slack-jawed with her raw, overdriven playing

By Jackson Maxwell Published
Hangar 18 is one of Friedman's finest hours with the thrash metal legends, and it taught him an invaluable lesson about guitar composition

By Jackson Maxwell Published
“Back then, a guy like that could make or break you. We’ve been friends for 35 years now”

By Jackson Maxwell Published
After a chance backstage meeting, Sullivan quickly fell under Guy's wing, forming a close bond with the blues legend that holds to this day

By Jackson Maxwell Published
In a 1979 chat with GP, Wilson reflected on the importance of rhythm playing, and how she imbued it – her acoustic work in particular – with more than enough attitude to go 'round

By Jackson Maxwell Published
Alongside many other budding British guitar heroes of mid-'60s London, Wood – via Marshall – consistently pushed the boundaries of amplification

By Jackson Maxwell Published
“I had been playing Harry Styles when he was in One Direction and giving her tacks to put up their posters,” Harper explained to GP. “But I didn’t tell her why I wanted her guitar, because I didn’t know if I was going to make the track”

By Jackson Maxwell Published
Always keen to take his sound into new territory, the late guitar hero never viewed any guitar – even the none-more-iconic Frankenstein – as a great treasure, never to be altered or touched

By Jackson Maxwell Published
Gill had already played with the best of the best before joining one of the biggest rock bands of all time – and he's more than happy to play a supporting role

By Jackson Maxwell Published
Though guitar gear, of course, has advanced in leaps and bounds since Frank Zappa's heyday, the elder Zappa enthusiastically pushed its technological limits

By Jackson Maxwell Published
Through twanging, Gretsch-powered hits like Rebel Rouser, Eddy helped define the guitar sound of early rock 'n' roll

By Jackson Maxwell Published
People, it turns out, often went to extreme lengths to get their hands on one...

By Jackson Maxwell Published
Saluting the late guitar hero's “beautiful” contribution to his all-star 2024 re-recording of Going Home (Theme From Local Hero), the Dire Straits man expressed regret that the plan never came to fruition

By Jackson Maxwell Published
Though the two budding virtuosos had plenty of respect for one another, it perhaps isn't a huge surprise that their respective styles occasionally clashed in the Yardbirds

By Jackson Maxwell Published
The rockabilly legend attributes landing on his guitar and amp of choice at a young age mainly to “destiny”

By Jackson Maxwell Published
Rock's most famous guitar-smasher (mostly) abandoned that particular act over 50 years ago, but that doesn't mean he's wracked with guilt over his innumerable six-string beatings

By Jackson Maxwell Published
No, it's not For the Love of God

By Jackson Maxwell Published
Satch is intensely studying the intricacies of the late guitar hero's technical quirks and tone, while trying to avoid outright mimicry. The fine line between paying tribute and copying is an act of needle-threading the virtuoso says he also faced during his tenure in Deep Purple

By Jackson Maxwell Published
Though numerous guitarists cycled through Fleetwood Mac in the years following Peter Green's departure, John McVie and Mick Fleetwood remained partial to the crunch of a Les Paul, which Buckingham was hesitant to adopt

By Jackson Maxwell Published
As fellow Austin, Texas-based, up-and-coming guitarists in the 1970s and '80s, Vaughan and Johnson developed a close friendship, and had great admiration for one another

By Mark McStea Published
High-octane collaborations, sudden, manufacturing-halting bursts of inspiration... the stories behind these songs are as eclectic as the tunes themselves
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