PHOTO: Brian Rasic | Getty Images
One month ago, a jury ruled that Jimmy Page and Robert Plant were not guilty of plagiarizing the 1968 Spirit song “Taurus” for their own 1971 composition “Stairway to Heaven.”
Page has said nothing public since the ruling, but this past weekend, on July 24, he broke his silence with a Facebook post.
“A few weeks have past since the judgement of the Stairway to Heaven case in Los Angeles, with the jury reaching a unanimous decision in a remarkably short time,” Page writes.
“Throughout the lengthy journey to that verdict, and even more recently, I have received and been aware of the overwhelming wave of support, encouragement, and congratulations that has been deeply moving.
“I’d like to take this opportunity to personally thank all those who contributed such a positive energy to me.
Page’s timing could not have been more perfect. On July 23, Michael Skidmore, the plaintiff in the lawsuit, filed an appeal to the Ninth Circuit. Skidmore is disputing both the jury’s verdict and various legal rulings and decisions that were made over the course of the trial.
In its verdict, the jury of eight concluded from the evidence presented that Page and Plant had indeed heard “Taurus,” but that there was no substantial similarity in the extrinsic elements of the song and “Stairway to Heaven.” The decision was reached within half an hour of the jury listening to both songs one final time.
In related news, Warner/Chappell, Led Zeppelin's music publisher, said earlier this month that it will seek $613,471 in attorneys’ fees and $179,697 in costs to cover its legal fees from the trial—a total of $793, 168.
Francis Malofiy, the attorney representing Skidmore and the estate
of “Taurus” composer Randy Wolfe (a.k.a. Randy California), said he
believed Page and Plant “won on a technicality.” Malofiy had attempted
to play recordings of “Stairway to Heaven” and “Taurus” in court but was
not allowed by U.S. District Judge Gary Klausner, who noted that at the
time of both song’s release, copyright law protected only the published
sheet music format. Malofiy said that, as a result, representing his
client was like “fighting with one foot stapled to the floor.”