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On Broken, Trout – with some help from Dee Snider and a ’60s Coral electric sitar – tries to bring hope in a divided world through some of the most fiery licks of his career
Chime with oomph, shimmer, bloom, and gutsy edge of breakup are the main tricks in the Z-80's toolbox, and it does them with a gloriously musical and inspiring voice
Though most of Squeeze’s breakthrough US hit came easy for Tilbrook, its solo took the guitarist out of his usual comfort zone
GP gathers a selected swath of shining stars on the acoustic gear horizon, with a primary lens concentrated on guitar
Dedicated to a longtime PRS employee, the extremely flamey maple top, distinctive finish, and Paul Reed Smith autograph mark this guitar as a rare – and highly alluring – early PRS by any measure
Though the carbon fiber look might turn some away, this is a road-ready, seaworthy instrument that delivers fuller sound and better playability than a typical travel guitar
This oft-overlooked, and recently-reissued, album sprang from the early '70s Bay Area music scene, which featured some of the best funk ever played by human hands
Steve Carr's latest creation packs the essence of classic British amp tone together with a tremolo that’s out of this world
Though he often feels, when called to the stage to start a solo show, “like the executioner has arrived to take me to the gallows,” Ellis's new acoustic album, Naked Truth, finds the veteran guitarist right at home without accompaniment
With the help of producer-of-the-moment Steve Lillywhite, Marshall Crenshaw made the guitar album of his dreams. Critics, however, panned its production, halting his rising career. Four decades later, Field Day is finally being reappraised
