Some of the most influential electric guitar players in history stand out not just for their playing skills but also for their innovative approach to building and/or modifying equipment.
Les Paul was instrumental in the development of the solidbody early on and pioneered several important studio practices, as evidenced on his highly original records.
In the ‘50s and beyond, Chet Atkins also played a major role in advancing guitar technique, studio method and instrument design (notably the Gretsch Filter’Tron humbucking pickup.)
Suffice to say, all of these guitar legends possessed an instantly recognisable sound – no doubt in part because of their willingness to experiment with gear.
Sweet, sonorous and immediately identifiable, May’s iconic sound has sustained the band for decades.
A majority of the guitarist’s classic tracks were cut using his famous Red Special six-string – a home-made solidbody carved from an 18th century fireplace.
Put together when he was just 16 years old with the assistance of his dad, Harold, May has cherished the instrument ever since.
And in the latest episode of The Red Special Guitar Podcast, host Jon Underhill talks to the man himself about building this famous axe, early Queen, songwriting and more.
On the subject of tone, May says, “So much of it is in the fingers, but the guitar is still your closest thing – it’s almost like part of your arm.”
Watch the interview here...
Browse the Queen catalog here.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
Rod Brakes is a music journalist with an expertise in guitars. Having spent many years at the coalface as a guitar dealer and tech, Rod's more recent work as a writer covering artists, industry pros and gear includes contributions for leading publications and websites such as Guitarist, Total Guitar, Guitar World, Guitar Player and MusicRadar in addition to specialist music books, blogs and social media. He is also a lifelong musician.
“I Love Guitar Players, and I’ve Been Lucky Enough to Work With so Many Great Ones”: Alice Cooper Talks Guitarists and His “Revolving-Door Policy”
“I Write Very Emotional Music, and Most of the Time It’s Pretty Angry”: Nita Strauss Drops Her Unapologetically Shred Sophomore Album, ‘The Call of the Void’