“You’ve got bad energy. I want you out of my studio.” Linda Perry says she threw Billy Corgan out of a Courtney Love session

Billy Corgan and Courtney Love arrive at the Paramount Pictures premiere of "Freedom Writers" at the Mann Village Theatre on January 4, 2007 in Westwood, California.
Billy Corgan and Courtney Love in 2007. Linda Perry says Corgan was a "Debbie Downer" who was killing the vibe on a Love recording session. (Image credit: Vince Bucci/Getty Images)

Linda Perry says Billy Corgan’s “Debbie Downer” attitude caused her to boot him from a studio session with Courtney Love.

In a new interview with NME, the 61-year-old singer-songwriter and producer recalled ejecting Corgan from the session because his attitude was killing the mood.

“Courtney Love is an incredibly intelligent woman,” Perry said. “We were working on a record once when Billy Corgan came in and he was a Debbie Downer and ruining the vibe.”

Billy Corgan and Courtney Love attend Francesco Vezzoli "The Gore Vidal Trilogy" Opening Reception at Gagosion Gallery on April 15, 2006 in Beverly Hills, CA.

Corgan and Love in 2006. They dated before Love’s 1992 marriage to Kurt Cobain and were reunited in the 2000s. (Image credit: Stefanie Keenan/Patrick McMullan via Getty Images)

By that point, both Perry and Corgan already had long creative histories with Love. Perry co-wrote songs for Love’s 2004 solo album, America's Sweetheart, and Hole’s 2010 release, Nobody's Daughter. Corgan had previously worked on Hole’s 1998 album Celebrity Skin and collaborated with both Love and Perry on the song “Samantha” from Nobody’s Daughter. He also dated Love before her 1992 marriage to Kurt Cobain.

As Courtney’s eyes bulged, I said: ‘You’re walking around like you’re God’s gift to fucking rock and roll. You’ve got bad energy. I want you out of my studio.’”

— Linda Perry

Perry didn’t specify which album session the incident took place during, but she said the confrontation stunned both Corgan and Love.

“Courtney and Billy have incredible history together, but my band said, ‘We can’t continue with this guy,’” Perry recalled. “Finally, I went into the control room, looked at Billy and said: ‘You gotta go, man.’”

“As Courtney’s eyes bulged, I said: ‘You’re walking around like you’re God’s gift to fucking rock and roll. You’ve got bad energy. I want you out of my studio.’”

“Billy was shocked and left.”

Perry said Love was equally surprised by the move.

“Courtney couldn’t believe I’d kicked him out of my studio, and thought it was ballsy,” Perry continued. “Then I realized, ‘Oh, she’s a pussy!’ Courtney acts like this tough person — and she is. She’s very intimidating, but really she is a bottom. She wants to be kind and wants a hug and she’s very gentle, but she has an armor she puts up.”

Courtney Love (R) and Linda Perry visit "Extra" at The Grove on May 9, 2012 in Los Angeles, California.

Linda Perry and Love in Los Angeles, May 9, 2012. (Image credit: Noel Vasquez/Getty Images for Extra)

Despite the clash, Perry made clear she still holds Love in high regard and is excited about her return to rock music. Love recently discussed her upcoming album with Corgan on his podcast The Magnificent Others, revealing that former Hole bass guitarist Melissa Auf der Maur and Will Sergeant will contribute to the project.

“I love her and have had amazing experiences with her,” Perry said. “The world needs Courtney Love back, and I can’t wait for her new record because there isn’t anyone else like her.”

Perry has never been shy about speaking her mind. In a recent interview with Guitar Player, she also accused Third Eye Blind frontman Stephan Jenkins of fabricating a longtime story about the pair sharing songs together before they each found fame.

“I don’t even know what the fuck he’s talking about. That never happened,” Perry said. “Listen, that guy is so full of shit. I’m not shocked that he would tell such a lie, but that’s not even true.”

Perry’s new album, Let It Die Here, arrived on May 8. The 17-track collection is her first solo release in more than 25 years.

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Elizabeth Swann is a devoted follower of prog-folk and has reported on the scene from far-flung places around the globe for Prog, Wired and Popular Mechanics She treasures her collection of rare live Bert Jansch and John Renbourn reel-to-reel recordings and souvenir teaspoons collected from her travels through the Appalachians. When she’s not leaning over her Stella 12-string acoustic, she’s probably bent over her workbench with a soldering iron, modding gear.