Brian May names Freddie Mercury’s “most beautiful” Queen song — and it’s not “Bohemian Rhapsody”
The guitarist says the 1984 deep cut exposed Mercury’s personal struggles and brought the two bandmates closer together
Brian May and Freddie Mercury created some of Queen’s most enduring anthems, with the guitarist’s melodic precision providing the perfect counterbalance to Mercury’s theatrical brilliance. But when asked to name the most beautiful song his late bandmate ever wrote, May doesn’t point to “Bohemian Rhapsody,” “Somebody to Love” or any of Queen’s other towering classics.
Instead, he chooses a far less obvious track: “It’s a Hard Life.”
Released in 1984 as the third single from Queen’s 11th studio album, The Works, the song became the band’s third consecutive U.K. top 10 hit, peaking at number six. In the U.S., however, it stalled at number 72 — a modest showing compared with many of Queen’s biggest successes.
Despite that, it remains a song that holds deep personal meaning for May. Writing in the liner notes for Queen’s Greatest Video Hits 2 compilation in 2003, the guitarist described Mercury’s composition as one of the most revealing pieces his bandmate ever created.
“To my mind, it’s one of the most beautiful songs that Freddie ever wrote,” May said. “It’s straight from the heart, and he really opened up during the creation of it.”
The song arrived during a period when Queen were still capable of producing massive hits, including “Radio Ga Ga,” “I Want to Break Free,” and “Hammer to Fall.” Yet beneath its grand arrangement — Mercury’s soaring falsetto, ornate piano work, and May’s carefully placed electric guitar lines — “It’s a Hard Life” was ultimately a deeply personal song about relationships and emotional struggle.
For May, the most memorable part was watching Mercury reveal that side of himself during the writing process.
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“I sat with him for hours and hours pouring over every word and trying to get the most out of it,” he recalled. “It’s a very revealing thing about how relationships are, and he was talking about his relationship.”
The song’s famously extravagant music video, filmed in Munich, Germany, might suggest otherwise. Mercury appears in the outfit Queen jokingly called “The Giant Mediterranean Prawn,” while May wields a skull-shaped guitar that was merely a prop. The video’s lavish setting and theatrical excess seemed at odds with the song’s emotional weight — and that was partly the point.
“To me it’s one of his loveliest songs, and on the face of it, I think I was mortified that he wanted to make this kind of video because it’s totally distracting,” May said. “This is a Freddie indulgence, and we indulged him. With pleasure I have to say.”
That willingness to indulge each other was a key part of Queen’s creative chemistry — although May has also revealed there were moments when he had to fight to get his own ideas heard, including when he pushed to include a guitar solo on one of the band’s biggest hits.
A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.
