Steve Ridinger The Foxx Tone Machine Was the Fuzz of Choice for Peter Frampton, Billy Gibbons, and Adrian Belew With its fuzzy looks, sound, and feel this was the dirt box to beat in the '70s. The Pick Newsletter Get the latest news, reviews and product advice straight to your inbox. Contact me with news and offers from other Future brands Receive email from us on behalf of our trusted partners or sponsors Thank you for signing up to The Pick. You will receive a verification email shortly. There was a problem. Please refresh the page and try again. MOST READMOST SHARED1Mike Baranik’s B-1 is a Retro-Modern Marvel 2“We Just Thought We Might as Well Make Another Record Because We Sure Weren’t Going to be Doing Any Shows”: Zakk Wylde Talks Black Label Society's Lockdown Album3“The Key to Finding Who You Are is to Compose”: Lee Ritenour Reveals His Top Five Career-Defining Tracks4Here's Why Pat Martino’s ‘Joyous Lake’ Remains an Essential Listen from the Golden Age of Fusion5Developed by Leo Fender the Music Man Sabre I is a Sound Sculptor that Cuts Like a Knife1Mike Baranik’s B-1 is a Retro-Modern Marvel 2“We Just Thought We Might as Well Make Another Record Because We Sure Weren’t Going to be Doing Any Shows”: Zakk Wylde Talks Black Label Society's Lockdown Album3“The Key to Finding Who You Are is to Compose”: Lee Ritenour Reveals His Top Five Career-Defining Tracks4Here's Why Pat Martino’s ‘Joyous Lake’ Remains an Essential Listen from the Golden Age of Fusion5Developed by Leo Fender the Music Man Sabre I is a Sound Sculptor that Cuts Like a Knife
