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“I had a huge pedalboard at one point. You have 15 pedals, and your tone sucks... Joe Walsh and Hendrix, they didn’t use a bunch of pedals”: Schooled in jazz and classical guitar, with a punk spirit, Mary Timony's skilled fretwork is as unique as ever
Back with her first solo album in over a decade and a half, Timony chats with GP about her frustrations with the punk genre, losing (and subsequently regaining) her touch on the guitar, and recording rhythm parts on a near-century old Gibson
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