Tony Iommi says Led Zeppelin's John Bonham meant to compliment Black Sabbath's Ronnie James Dio. It didn't go well: “Ronnie heard that, and he didn't really like it”

LEFT: Iommi, poses for a portrait backstage at Cobo Arena during the band's "Seventh Star Tour" on March 22, 1986, in Detroit, Michigan. RIGHT: Ronnie James Dio of the band Dio in concert at The Spectrum 09/13/1985 in Philadelphia Pennsylvania
Tony Iommi (elft) poses for a portrait backstage at Cobo Arena in Detroit, March 22, 1986. Ronnie James Dio performs in concert at the Spectrum, in Philadelphia, September 13, 1985. (Image credit: Iommi: Ross Marino/Getty Images | Dio: Bill McCay/Getty Images)

The departure of Ozzy Osbourne marked the end of Black Sabbath’s classic lineup, leaving both sides to rebuild. Osbourne had to establish himself as a solo artist, while Tony Iommi and the remaining members of Sabbath needed a new singer to lead them into the band’s next chapter.

Osbourne found his answer in Randy Rhoads, a young guitarist he hired after bassist Bob Daisley had a premonition that Rhoads would lead the group to greatness.

Sabbath, meanwhile, recruited Ronnie James Dio, the diminutive powerhouse vocalist who had recently left Ritchie Blackmore’s Rainbow. After the two crossed paths at L.A.’s Rainbow Bar and Grill, Iommi and Dio clicked immediately. At their first jam session, they wrote “Children of the Sea,” a key track on 1980’s Heaven and Hell, Sabbath’s first album without Osbourne.

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Ronnie James Dio and Tony Iommi of Black Sabbath perform on stage on the 'Heaven and Hell' tour, at Hammersmith Odeon on January 18th, 1981 in London, England.

Dio and Iommi perform with Black Sabbath at London’s Hammersmith Odeon, January 18, 1981. (Image credit: Pete Still/Redferns)

Winning over Osbourne’s devoted fans was never going to be easy, but Dio helped Sabbath reach its highest chart position since 1975’s Sabotage. Only the band’s blockbuster catalog albums Paranoid and Master of Reality had charted higher.

Led Zeppelin drummer John Bonham was among those impressed by what Dio brought to Sabbath. Bonham, who had served as Iommi’s best man when the guitarist married Susan Snowden in 1973, was known for speaking his mind. But a compliment he intended for Dio came out badly enough that Iommi had to step in to prevent a confrontation.

“Yeah, there was some kind of a word,” Iommi recalled when discussing the incident with comedian Bill Burr in 2011. “John came to the gig when we played at Hammersmith in London. And we were going to go out after the show to a bar.”

Drummer John Bonham of the rock band 'Led Zeppelin' performs onstage at the Forum on June 3, 1973 in Los Angeles, California.

John Bonham onstage with Led Zeppelin at the Los Angeles Forum, June 3, 1973. (Image credit: Michael Ochs Archives/Getty Images)

According to a Black Sabbath fan site, the band played four consecutive nights at London’s Hammersmith Odeon from May 7 to 10, 1980, with Girlschool supporting. It’s unclear which performance Bonham attended, but it was during that London run that his comment sparked trouble.

“John’s drinking on the side of the stage, drinking Guinness,” Iommi recalled. “We came offstage, and as we walked past John, John said to me, ‘Oh, man, he’s got a great voice for a midget.’ And, of course, Ronnie heard that, and he didn’t really like that.

“He actually meant, ‘What a little body, and he’s got a big voice!’” Iommi explained. “But the way he said it…

“Of course, Ronnie popped up and… I won’t repeat what he said. They were gonna fight.”

Iommi found himself caught between the two men and managed to defuse the situation, telling them to “just get along.” Bonham would die just months later, on September 25, 1980, from alcohol-related causes.

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A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.