Guitar Aficionado

Greg Lake, Who Led Prog-Rock with Emerson, Lake & Palmer, Has Died

The guitarist lost his battle with cancer. He was 69.
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PHOTO: Chuck Fishman | Getty Images

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By Damian Fanelli

Greg Lake, a multi-instrumentalist who was a member of King Crimson and Emerson, Lake and Palmer, died yesterday, December 7, at age 69.

Lake, who was a singer, songwriter, musician and producer, had been battling cancer for quite some time.

His death was confirmed via his official Twitter account by Stewart Young, Emerson, Lake and Palmer’s longtime manager.

“Yesterday, December 7th, I lost my best friend to a long and stubborn battle with cancer,” Young wrote. “Greg Lake will stay in my heart forever, as he has always been. His family would be grateful for privacy during this time of their grief.”

The news comes nine months after Lake’s bandmate, keyboardist Keith Emerson, died of a self-inflicted gunshot wound.

Yes keyboardist Geoff Downes was among first rockers to pay his respects, saying, “Very sad about Greg Lake. I had the privilege of working with him on several projects. His great talent will be sorely missed by all. Another genius has passed away. 2016 has truly been an annus horribilis in musical history.”

Lake was given his first guitar at age 12 and took lessons from local tutor Don Strike. He formed a friendship with fellow student Robert Fripp, with whom he formed King Crimson in 1969. Their debut album, 1969’s In the Court of the Crimson King, set a standard for prog-rock and is considered one of the first and most influential albums of the genre.

The album has attained status as a classic, with Allmusic praising it "[a]s if somehow prophetic, King Crimson projected a darker and edgier brand of post-psychedelic rock.”

“At that time, nearly all the British bands were using the blues or soul music—American music—as their influence,” Lake told Gibson.com in 2012. “Since that well had been visited so many times, we decided we would try to use European music as our base influence, in order to be different. Robert [Fripp] and I—and Ian McDonald, for that matter—had all been schooled in European music.

“We understood it. We played Django Reinhardt, and we did Paganini violin exercises and so forth. Even though I loved American music, and had played it throughout my youth, it was very easy for me to adapt to using European music as the basis for new creations. I had studied that form of music.”

Within a year, however, founding member Mike Giles quit. Lake hung around long enough to sing on their second album, In the Wake of Poseidon.

He was then approached by Emerson, who needed a singer for his new band. Filled out by Atomic Rooster drummer Carl Palmer, Emerson, Lake and Palmer (ELP) made their live debut in Plymouth, England, in 1970, just before their career-making performance at the Isle of Wight Festival.

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