O F THE NUMEROUS ADJECTIVES APPLIED TO J I M
Marshall over his lengthy career—enigmatic, volatile, brilliant,
gruff, inspired—probably the one left most under-expressed
is “trustworthy.” Marshall’s trustworthiness has been too often
overshadowed by his more notorious and exciting qualities,
yet it is this very trait that separates a good portraitist from
the rest of the pack. It is fitting then, that the root of this word
is the title for his latest published collection of images Trust:
Photographs of Jim Marshall [Omnibus Press].
Marshall is considered one of the preeminent music photographers
of this age, and the images in this book span almost
six decades of work and could not
have been made without an almost
complete trust from subject to photographer.
Marshall gained this
intimacy through both his reputation
and his ability to connect with
an artist before and during the
moments when the lens is training
and the shutter is releasing, when
the soul of the subject is preserved
for good, for bad, for an instant,
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