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Metallic Blues: Eric Gales Pumps Up the Power with Pinnick Gales Pridgen
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ONCE UPON A TIME IN THE EARLY ’90S, THEN -
teenager
Eric Gales was the next “next Jimi Hendrix.”
That complimentary yet unenviable comparison
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Under Investigation: Frampton Comes Alive! Then and Now
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ALREADY A RISING STAR FROM HIS DAYS WITH THE HERD, Humble Pie, and Frampton’s Camel, Peter Frampton hit it out of the park with 1976’s
Frampton
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Rhythm Workshop: Mo' Funk
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ARE YOU READY FOR A REAL WORKOUT? Our last stop on the soul train focused on
single, double, and triple sixteenth-note
motifs, and utilized static
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You're Playing it Wrong! Over Under Sideways Down
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AS LEGEND HAS IT, THE YARDBIRDS hired an authentic Indian sitar player to record
the intro riff to “Heart Full of Soul” in 1965,
but after many
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Quick Licks: June 2013
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JIMI GAMBALE “This lick is influenced by Frank Gambale and Jimi Hendrix and is based on the E minor pentatonic scale,” says Three Degrees
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Kiko Loureiro on Cross-Picked and Hybrid-Picked Arpeggios
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BRAZILIAN GUITAR STAR KIKO Loureiro was first profiled in GP back in the 11/07 issue, where we described him as a player with uncommon facility not
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Under Investigation: The Soulful Guitarists of James Brown
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Old-School funk —(from left) Sylvester Keels, Nash Knox, Fred Pulliam, James Brown (on drums), Nafloyd Scott, Bobby Byrd (on piano), and Roy Scott of
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Rhythm Workshop: Sixteenth-Note Funk
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Nile RodgersTRY THIS: PUT ON YOUR HOODIE, ZIP IT up halfway, hold the pull tab like you would a pick, and then quickly and evenly within the space of
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Under Investigation: Larry Coryell and the Eleventh House
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DURING THE HALF-DOZEN YEARS FOLLOWING THE RELEASE OF MILES DAVIS’ 1969 landmark, Bitches Brew, jazz-rock fusion ruled, with Davis, Tony Williams’
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The Subtle Side of Slide
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THIS WON’T BE YOUR TYPICAL SLIDE lesson. I will show how you can add more
chromatic harmony by fretting behind
the slide with your left hand. We’ll
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Rhythm Workshop: Simple and Compound Rhythmic Groupings Demystified
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IN THIS MONTH’S ADVENTURE IN RHYTHM, we explore the differences and similarities
between duple and triple beat divisions and
meters. Not unlike
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You're Playing it Wrong: Pink Floyd's "Money"
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SOMETIMES THERE’S MORE TO NAILING a classic riff than simply playing the
right notes at the right time, because all
guitarists inject their own
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Hey Jazz Guy: Connecting Your Phrases in the Language of Jazz
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Hey Jazz Guy,
How can I string together lines and arpeggios
in a way that sounds like jazz? — Not
Connected in Nashville
Dear Not
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Fretboard Recipes: Intervallic Designs, Part 3
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WHAT GOES UP MUST COME DOWN. Last month, we equated the opening notes
from a slew of familiar melodies to their
corresponding ascending intervals.
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Under Investigation: Eddie Cochran
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BELIEVE IT OR NOT, THERE ONCE WAS A TIME WHEN EVERY NEW ELECTRIC guitar came factory-equipped with a wound third string. These telephone cables
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