“Phil’s guitar's were set up as follows: Each string had a pedal. Strings 1-E, 2-B, 3-G, 4-D, 5-A were each raised a whole tone. String 6-E was lowered two and a half tones, (from E to B.) Pedal one was for the small E and so on. He ran the pedals with his left foot and the volume pedal with his right.”
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