Steve Miller On Making Fly Like An Eagle

WHEN YOUR GODFATHER IS LES PAUL, the expectations can be crushing.

WHEN YOUR GODFATHER IS LES PAUL, the expectations can be crushing. But Steve Miller has always achieved greatness—from his seminal contributions to the ’60s San Francisco Sound to the present day, where the 30th anniversary release of his space-rock mega-hit, Fly Like An Eagle [Capitol], sounds just as fresh right now as it did commandeering the airwaves in 1976. The lesson for today’s home-studio guitarists is learning how Miller managed to record an enduring classic with ’70s technology that still kicks ass in a Pro Tools world.

“I think Fly Like An Eagle stands up because it’s honest and simple,” says Miller. “Limitations are good, because you need to get in there and do what you’re going to do, and not spend all your energy goofing around. I worked long and hard on the tunes, but when we recorded the basic tracks, it was just bass, drums, and guitar. I taught the guys the songs, we ran through them a couple of times, and then I plugged my Strat into my old Fender

Bassman, the engineer put a Shure SM57 on the amp, and we went for a first take. The second take or the 20th take can be perfect, but the first take has the energy and freshness that only happens the first time you play something. The only ‘secrets’ of that album are a clean recording, live energy, and first takes.”