GP vs. the MySpace Hordes

There’s a vast network of millions of DIY musicians at who are sharing tracks, pushing boundaries, looking for record deals, playing for fun, and making transcendent music, capable but uninspired music, or just plain blowing it. The GP staff wants to embrace all these myspace musicians, because they represent what is heavenly and profane—and let’s include all stops in-between—about a free community of creative and hopeful music producers. So I encourage all GP readers with myspace pages to invite me to their sites to check out their music. (Just log on to and leave me a message.) If we dig your stuff, you’ll either end up on this review page or you’ll score a small feature story. Pretty cool! So what are you waiting for? Join the party!
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Jeremy Goldsmith
New York, New York
“The Sweetest Thing”

A beautifully mournful, bluesy electric melody over a strummed acoustic that’s obviously heartfelt and true. This could be the theme song for the grey, rainy days the GP staff had to endure this past April, or it could just be an underscore for anyone looking to channel their sadness.

Las Vegas, Nevada
“Last Words”

This acoustic-driven tune grooves along like a rhino on Ecstasy. It delivers evocative vocals, bouyant melodies, and an interesting and quirky arrangement. It also sounds brilliant when played loud. There’s not any burning guitar playing here, but, heck, a good song still counts—right?

Geo Jacopec
Glen Allen, Virginia
“King Bee Bop”

A slinky, stinging, and poppin’ blues number. Jacopec has a fine command of melody, phrasing, and dynamics, but his timing and groove needs work, as he tends to fall out of the pocket throughout this otherwise enjoyable romp.

My Big Beautiful
Joliet, Illinois
"Charlie Brown"

This is a punk track, so you can forget about soaring solos or crushing riffs, but there’s myriad levels of intensity partying down—from stuttering punches to crowd-cheer vocals to chordal crescendoes. It’s a fun, novelty-ish tune with a little melodic surprise at the end (so listen all the way through).

Smitty Factor

Nashville, Tennessee

“Grrrrl Crazy”

Pure power pop with some blissfully whack guitar snarling between vocal lines, and a ferocious solo that shifts seamlessly between harmony lines, rapid open-string pull-offs, melodic runs, and a soaring, Brian May-influenced crescendo. Whew! The chorus doesn’t really pay off as it should—probably due to the fact that the layered vocals stay pretty much in the same range throughout the song—but everything else is a corker.

Eric Stadler
St. Louis, Missouri
“Modern Mind”

Stadler’s influences—including Steve Vai, John Petrucci, and Joe Satriani—are pretty obvious on this track, but his fluid tone and masterful technique are so impressive that you should forget the style checking and just enjoy the onslaught of guitar goodies. The only ropes holding this monster back might be compositional—his melodies and riffs fall just a tad short of being truly inspired or memorable. But, man, this cat is awesome.

Blue Star
Obing, Bavaria
“Yellow Cab”

Sneaking in all atmospheric and vibey like a soundtrack from a Wim Wenders film, “Yellow Cab” suddenly drops in some snarky Peter Green-flavored blues lines, and then splatters a gritty wash of distortion all over your ears. Yummy. Guitarist Peter Blue also channels bits of Santana and David Gilmour, and his phrasing is sexy, vocal, and full of luscious space. This is a fabulous example of truly cinematic music.

Matt King
Brick, New Jersey

King name checks Satriani and Vai as influences, but he drags them through an Iggy Pop complex, as “Kaishin” is a rowdy battlefield of garage-y rhythm guitars and technically awesome solos and harmony lines. Then, he stabs and dances all over a chordal nod to the Police’s “Message in a Bottle,” before exploding into a supernova of cascading guitar lines. Be careful—this tune might actually hurt you!