Jamie Findlay’s Fab Four Fingerstyle
May 16,2012
It was a noble life ambition Jamie Findlay held as child: to become a doctor like his father. But then in 1964, at age seven, he shared in that huge moment of mass-transformation that changed the course of so many lives. “I
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Hey Jazz Guy, May 2012
May 16,2012
Hey Jazz Guy, Whose solos should I be transcribing to learn how to play through changes? —Searching in Somerville Dear Searching, Transcribing solos of great jazz musicians is a surefire way to improving your
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10 Things You Gotta Do to Play Like Peter Green (THE EARLY YEARS:1966-1970)
May 16,2012
Peter Green , along with fellow countrymen Eric Clapton and Mick Taylor, shares the distinguished and esteemed honor of introducing scores of young American guitarists between 1965 and 1967 to their own country’s rich blues
More...
Jamie Findlay’s Fab Four Fingerstyle
May 16,2012
It was a noble life ambition Jamie Findlay held as child: to become a doctor like his father. But then in 1964, at age seven, he shared in that huge moment of mass-transformation that changed the course of so many lives. “I
More...
Hey Jazz Guy, May 2012
May 16,2012
Hey Jazz Guy, Whose solos should I be transcribing to learn how to play through changes? —Searching in Somerville Dear Searching, Transcribing solos of great jazz musicians is a surefire way to improving your
More...
Jamie Findlay’s Fab Four Fingerstyle
May 16,2012
It was a noble life ambition Jamie Findlay held as child: to become a doctor like his father. But then in 1964, at age seven, he shared in that huge moment of mass-transformation that changed the course of so many lives. “I
More...
Hey Jazz Guy, May 2012
May 16,2012
Hey Jazz Guy, Whose solos should I be transcribing to learn how to play through changes? —Searching in Somerville Dear Searching, Transcribing solos of great jazz musicians is a surefire way to improving your
More...
10 Things You Gotta Do to Play Like Peter Green (THE EARLY YEARS:1966-1970)
May 16,2012
Peter Green , along with fellow countrymen Eric Clapton and Mick Taylor, shares the distinguished and esteemed honor of introducing scores of young American guitarists between 1965 and 1967 to their own country’s rich blues
More...
Jamie Findlay’s Fab Four Fingerstyle
May 16,2012
It was a noble life ambition Jamie Findlay held as child: to become a doctor like his father. But then in 1964, at age seven, he shared in that huge moment of mass-transformation that changed the course of so many lives. “I
More...
Hey Jazz Guy, May 2012
May 16,2012
Hey Jazz Guy, Whose solos should I be transcribing to learn how to play through changes? —Searching in Somerville Dear Searching, Transcribing solos of great jazz musicians is a surefire way to improving your
More...
Jamie Findlay’s Fab Four Fingerstyle
May 16,2012
It was a noble life ambition Jamie Findlay held as child: to become a doctor like his father. But then in 1964, at age seven, he shared in that huge moment of mass-transformation that changed the course of so many lives. “I
More...
Hey Jazz Guy, May 2012
May 16,2012
Hey Jazz Guy, Whose solos should I be transcribing to learn how to play through changes? —Searching in Somerville Dear Searching, Transcribing solos of great jazz musicians is a surefire way to improving your
More...
10 Things You Gotta Do to Play Like Peter Green (THE EARLY YEARS:1966-1970)
May 16,2012
Peter Green , along with fellow countrymen Eric Clapton and Mick Taylor, shares the distinguished and esteemed honor of introducing scores of young American guitarists between 1965 and 1967 to their own country’s rich blues
More...
Paul Gilbert's Rock Guitar School Launches May 23, Debuts Next Generation of Online Learning with ArtistWorks, Inc.
May 16,2012
ArtistWorks, the first collaborative global learning community comprised of master artists and ambitious amateurs, announces the May 23rd launch of the online, interactive Rock Guitar School with Paul Gilbert. Most noted as a
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Quick Licks, April 2012
Apr 17,2012
Orient Express From frequent contributor Vinnie DeMasi: “Initially, re-tuning my acoustic C, G, C, G, C, C (low to high) was an attempt to emulate the sounds of Middle Eastern and/or Indian instruments like the oud, bouzouki,
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