Tommy Tedesco's Studio Log, July 1979
May 15 2013 1:59PM
While playing some "beatnick" grooves for a movie soundtrack, Tedesco becomes frustrated by the lack of standardization in chord symbols
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Tommy Tedesco's Studio Log, February 1979
Apr 29 2013 1:54PM
Changing parts to make a score more playable is one of many tricks Tedesco uses to make a session successful
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Tommy Tedesco's Studio Log, December 1978
Apr 24 2013 1:04PM
Tedesco calls on past experiences to make this date a success
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Tommy Tedesco's Studio Log, November 1978
Apr 22 2013 1:58PM
Tedesco discusses the perils of direct-to-disc recording
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Tommy Tedesco's Studio Log, October 1978
Apr 18 2013 1:19PM
Tedesco explains how a score that appears challenging can often be easier to play than something that looks simple
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Tommy Tedesco's Studio Log, September 1978
Apr 17 2013 1:40PM
Tedesco forms a jazz group, makes an album, and hones his ability to play in odd time
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Tommy Tedesco's Studio Log, March 1978
Apr 3 2013 7:04PM
Tedesco talks about the three things that can cause a green studio player to crash and burn
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Tommy Tedesco's Studio Log, February 1978
Apr 1 2013 4:29PM
Tedesco discusses the importance of knowing what to leave out when tackling a tough piece of music
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Tommy Tedesco's Studio Log, January 1978
Mar 28 2013 5:09PM
Tedesco talks about working for composer Artie Kane on the scoring stage for the film "Looking for Mr. Goodbar," which was directed by Richard Brooks
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Tommy Tedesco's Studio Log, October 1977
Mar 25 2013 2:53PM
In this October 1977 Studio Log, Tedesco gets a Dan Armstrong Orange Squeezer compressor and rocks out on three Awards shows
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Now Hear This: Sean Spicer
Apr 16 2013 1:39PM
THAT NASHVILLE-BASED PRAISE AND WORSHIP guitarist Sean Spicer likes to keep busy doing many different things is somewhat of an understatement.
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Epic Songs with Epic Meaning: Marillon's Steve Rothery Digs Deep into Complex Sounds and Themes
Apr 16 2013 1:31PM
MARILLION HAS ALWAYS HAD A FEARLESS STREAK ABOUT IT. SINCE ITS debut in 1979, the British band has reimagined progressive rock on an ongoing basis by infusing it with contemporary rock, pop, and folk influences.
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Tommy Tedesco's Studio Log, July 1978
Apr 15 2013 1:56PM
Tedesco offers some strategies for dealing with music that looks to be "unplayable"
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Tommy Tedesco's Studio Log, May 1978
Apr 5 2013 2:37PM
A live gig at the Baked Potato in Hollywood helps Tedesco clear his head from 20 years of studio work
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FAT Fusion, Alex Machacek's High-Tech Low-Budget Prog Rock Production Practices
Mar 13 2013 2:04PM
If you step offstage and someone asks you what amp or distortion box you used, it’s usually to compliment your playing and tone
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