GUITAR PLAYER INVITES
all D.I.Y. artists and bands
to share their guitar skills
with our reader community.
This opportunity is open to
any player/band with a Web
site or MySpace page that
has their music posted. All
you have to do is go to
add the magazine as
a friend, and invite “Editor
Boy” to your music space. If
you’re not on MySpace,
simply send an invite to
.com. I’ll check out your
tracks and determine
whether you get coverage
in this column. Tracks are
evaluated for creativity,
composition, guitar chops,
and audio-production quality—
or you may make the
cut simply because your
track is surprising, interesting,
or brilliantly awful.
I was lured in by a pretty compelling intro—a driving groove, some nice organ
swells, and a fat and sassy guitar. But the “rocket” starts sputtering around 1:00,
sounding more like an aimless demo with a few clams. Bottom line: Forst is a fine
player who needs to get serious
about audio production.
Brilliantly dumb and hilarious hook! Sadly, the power that could have been is kneecapped
by a one-dimensional live recording and a less-than-committed lead vocal.
Guitarist Jayden Alexander has some good licks, and he takes a tasteful, melodic
solo at 1:16, but there’s not enough of him busting through the mix.
I’m a B-17 bomber freak, so King’s World War II homage to his “gunner” father got
my attention. The lock-step groove and harmony-line intro is fabulous, but I wasn’t
so into the talk-sing approach. Decent story, though, and King’s ballsy solos are
delightful. A salute to your dad, Barry!
Non-stop guitar bliss! Baker’s slinky fusillades are thrilling, and his tone and technique
are righteous. He also keeps the surprises coming by (a) not running out of
gas, and (b) not repeating himself. One truly memorable hook would make this a
surefire hit, but it’s still the find of the month.
This is a journey that juxtaposes fleet and bluesy acoustic pickin’ with beautifully
melodic electric-slide sections. Dormire’s chops and vocal-like phrasing are
impressive, but the performances here are just a tad too studied to lift the track
to the emotional climax it seems to promise.
“Plastic Smile” is a gem of arrangement and composition, rather than a guitar
workout, but its quirky layers, jazzy drums, mournful horns, and atmospheric
6-string arpeggios still make it an enchanting listen. It’s almost like something
you’d imagine James Dean vibing to in the fitful, pre-dawn ebb of 1950s Manhattan.
This Spanish-language epic is oddly alluring. There’s a sweeping majesty to the
militaristic guitars and chant-like vocals that demands attention. The music just
keeps coming at you—like the crowds of zombies in 28 Weeks Later. Jose Luis
Peraza’s buzzy solo at 2:51 is simultaneously scary, anthemic, and possessed.
And, in closing, why not join the gazillions of Michael Jackson tributes with this
rockin’ instrumental cover of the King of Pop’s wannabe tough-guy track? Lemes
barks out the rhythm bits like a cage fighter, and his stinging and snotty interpretation
of the melody is as feral as Michael was sweet.
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