THE 5E3 “NARROW PANEL” FENDER DELUXE is one of the most sought after vintage combos due to its
proven performance as a blues/roots-rock amp par excellence.
Victoria’s recreation of this 14-watt tweed classic is
the model 20112 ($2,095 retail), which features the original-style
cathode-biased circuit using two 6V6GT tubes (Russian-made
Tung-Sols), and—in our test model—a NOS CBS-made
5Y3WGTA rectifier, a NOS GE 12AY7 in the preamp, and a TAD
12AX7 phase inverter. The beautifully crafted combo shows superb
attention to detail in all areas, including the tidy handwired circuit
on a vintage-style fiber board, which sports high-grade Sprague
Atom electrolytics, custom “orange drop” audio caps, and carbon-comp
resistors. Phenolic tube sockets and U.S.-made transformers
round out the chassis accouterments. An Eminence Legend
12" speaker is rear mounted in the finger-jointed solid-pine cabinet,
which is covered in tweed cloth and lacquered for beauty and durability.
Though the controls are simple—Bright and Normal channel Volumes,
and a master Tone knob—a spectrum of tones is available depending on
which of the four input jacks you plug into. Each channel has two input jacks,
and the inputs are padded differently so that a guitar will sound a bit louder
(or quieter) depending on which one you plug into. Plugging straight in to
the Bright channel, you can dial up a ballsy overdriven tone by cranking the
Volume knob to 7 or higher and then backing off the volume on your guitar
for a crisp, gritty rhythm sound. If you need a cleaner and/or “browner” tone,
use the lower-gain Normal channel. You can also “jumper” the channels—à
la a four-input Marshall—for even more gain and tone options.
The 20112 truly excels as a “stompbox” amp, and tested on gigs with an
Alairex HALO distortion pedal, a Way Huge Supa-Puss analog delay, and a
DigiTech Hardwire reverb, it delivered enough volume to keep up with bass and
drums in a four-piece rock band, sounding full and muscular while doing so.
The dynamic response of this little amp is quite amazing, and using the Bright
channel with the Volume set around 5 provided a range of tones that covered
clean fingerpicked parts, grinding rhythms, and lots of sustain for solos with the
second channel of the HALO engaged. The reverb pedal sounded great with
this amp, and not much of it was needed since the 20112’s old-school cabinet
design delivers a naturally open and resonant sound. It’s why we often don’t
miss the lack of reverb on old tweed Fender amps. The 20112 may not project
quite as well as a blackface Deluxe (which has a more rigidly built cabinet),
but it definitely sounds gushing and alive when you’re hearing it onstage.
If you’re a fan of the tweed Deluxe, but don’t want to subject a vintage
model to steady gigging, consider the Victoria 20112. This boutique recreation
of the famed 5E3 brings it all together in a package that is probably the closest
you can get to buying a brand new Deluxe in 1955.
For more information contact victoriaamplifier.com.
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