Over the course of several months, I put Sadowsky’s Jimmy Bruno and Jim Hall Signature guitars through a good deal of real-world challenges at my regular gigs in the San Francisco Bay Area. Not only did both instruments sound excellent in more intimate venues—such as Jazz at Pearl’s in San Francisco, and the tasting rooms of several prestigious Napa Valley wineries—they also held up in mid-sized clubs such as Yoshi’s Jazz House in Oakland, and outdoors at the Stanford Jazz Festival in Palo Alto.
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